Panos Panousopoulos

It is on Ascension Day that Zoe, a brilliant computer analyst, visits the National Park in the center of Athens with her daughter, Katerina. That afternoon in the park, Zoe experiences an overwhelming array of instinctive compulsions and transforms into an ancient Maenad in ecstatic frenzy, even capable of murder. Instincts and animals get loose and panic takes over.

Three marginals provoke the social establishment with their every act.

A lawyer, offspring of a bourgeois family of Greek-Egyptians, tries to find the traces of a relative of his. Through a rich tapestry of characters, Christofis creates an ode to the Hellenic Diaspora.

Taxidi Tou Melitos is about the fear that most elderly people experience: approaching death. Leon (Stavros Xenides) and Zaharoula (Betty Livanou) are heading out for their annual vacation at a summer resort. Instead of their usual carefree anticipation, their mood is subdued because their daughter has just married and is off on her honeymoon. Life is lonely without her and the couple cannot avoid the realization that death is not that far away for them. Once at the resort, Leon tries to overcome this nagging fear by taking a wild plunge in the ocean, naked, as he and Zaharoula are out walking on the beach. Taken up in the spirit of the moment, she joins him among the waves. The results, however, are not what they expected.

Euridice in Hades, code number ΒΑ 2037, is waiting for Orpheus to free her and lead her to the Upper World. She’s waiting for orders that will allow her to move out of her prison/home. Her destination is not mentioned. A voice from a computer orders her to move out.

At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.

A documentary about Greek music. Τhe Great Love Songs is series of ten poems by, among others, Sappho, Elytis, Myrtiotissa, Sarantari, and cavafy, put to music by Manos Hadjidakis. In the film, the camera lens illustrates the emotions stirred by the erotic atmosphere of the music. We follow the camera as it wanders through Athens; the nostalgic Athens of yesteryear; the big modern-day city; the Athens of lovers; the Athens of tourists. Our journey through the city is intercut with footage from the studio recordings of the songs, while there also scenes featuring the film crew. The film is a game between image and sound.