Stephanie King

Stephanie King

Profile

Stephanie King
Stephanie King

Movies

We're Not Here to Fuck Spiders
Effs
In early 2018, an email was sent to a select group of journalists and politicians in Australia, containing a link to thousands of hours of secretly filmed footage documenting day to day life in an ice dealer's house in South Sydney. The footage was refined down to this story of the ice dealer, Anton Berger, his girlfriend Effs, whom he keeps imprisoned in the house, his crew, Pincer, Bezza and Ahmed, and the bikers and corrupt cops he deals with.
Sad Sachs
Adult children of a Jewish family, dressed up in evening gowns and dinner jackets, are late to a wedding. The order a cab, and in a classical conversation with a driver they discover that he is a neo-Nazi, and such a dim-witted one, that he doesn’t realize who rides in his car and how inappropriate it is to voice his views in their presence. The historical justice would be restored with help of a stiletto shoe, and the optics of a small professional camera gives unexpected dynamics to the witty performances.
Sleepwalking
On an isolated property, a teenage boy must help his mother escape his fanatical stepfather, testing his loyalties and ideas about the outside world.
Chocolate Oyster
Beatrix
Australian experimental, observational comedy about young people in Sydney struggling to get ahead in love and their careers.
Teenage Kicks
Bianca
Miklós is at the age when everything feels high-stakes. He is coming to terms with his own sexuality, and when his best friend Dan reveals that he has a new girlfriend, this puts an end to their plans to run away together.
Hand of Art
Sienna
An abstract artist promises to deliver twenty five paintings to an art gallery. As he fights for his creative spark and deadlines loom, he feels his world around him crumble away.
Observance
Co-Producer
In the grip of grief following the death of his young son, his marriage on the rocks and nearing bankruptcy, Parker reluctantly returns to work as a private investigator. Embarking on an unusual assignment to observe a woman from an abandoned apartment, Parker witnesses bizarre happenings surrounding her, unaware that the derelict building that he surveys her from has birthed a dark presence which slowly threatens to consume him.
Observance
Tenneal
In the grip of grief following the death of his young son, his marriage on the rocks and nearing bankruptcy, Parker reluctantly returns to work as a private investigator. Embarking on an unusual assignment to observe a woman from an abandoned apartment, Parker witnesses bizarre happenings surrounding her, unaware that the derelict building that he surveys her from has birthed a dark presence which slowly threatens to consume him.
Boys On Film 12: Confession
Poppy (segment "Showboy")
Boys On Film's twelfth collection of gay short films exposes private lives, uncovers secrets and presents a choice — to conceal or to confess? Volume 12: Confession features nine new stories, including: Robert Hawk's "Home From The Gym" starring Jake Robbins; Samuel Leighton-Dore's "Showboy" starring Lucas Pittaway and Malcolm Kennard; Bobby de Groot and Arjan van Meerten's animated "Cruise Patrol"; Denis Theriault's "I Am Syd Stone" starring Gharrett Patrick Paon and Michael Gaty; Dustin Shroff's "Deflated" starring Carson Trinity Haverda and Greg Baglia; Filippo Demarchi's "Age 17" starring Fabio Foiada and Ignazio Oliva; Christophe Prédari's "Human Warmth" starring Thomas Coumans and Adrien Desbons; Dominic Haxton's "Tonight It's Me" starring Jake Robbins, Caleb James, and Christian Patrick; and Peter Knegt and Stephen Dunn's "Good Morning" starring Peter Knegt and Oliver Skinner.
Showboy
Poppy
After the unexpected death of his mother, a young football player, Julian Maxwell, finds himself struggling to support his depressed, unemployed father while fighting to keep safe the secret he once shared with his mother: He's not only gay, but performs drag shows. SHOWBOY is a film about family, loss and the exploration of freedom and sexuality in the face of affliction.