Gebhard Zupan

The protagonist, Franz, copies the paintings of old masters. He slowly loses his sense of reality, resulting in angst-ridden fantasies and a desire for self-destruction. Franz has an uphill battle with the loss of values and spread of capitalism around him. He rejects advertising to the point of destroying its manifestations.

Simon Granderath has been found dead in his appartment. His only daughter, Monika Besse, who lives in Luxembourg, arrives to arrange the funeral and settle his estate. She wishes to get back to Luxembourg and to her normal life as quickly as possible. However, she quickly realizes that in fact, she hardly knew her father, and tries to trace the various stages and encounters that made up his life. Much later, she realizes that the search for the identity of her father has actually become a search of her own identity – though still she believes she can get closer to her father after his death.

An afternoon in the biggest fair of Germany.

Georg, who is happy with his job as a scientist, with his loving wife and with his three children, hears one day that an accident has happened in a chemical plant nearby. All of a sudden, he finds himself face to face with one of the victims. The man, whose face has been eaten away by the sour gas that escaped from the plant, is staring at him in despair. Does Georg really see the man or is this a mere hallucination? Is he becoming insane or is he more alert to the dangers of the world than the common man?

Alex (Thierry Van Werveke), a pest exterminator who lives with his grandmother, picks up a stranded woman (Kate Valk) who claims to be the American daughter of a spy.

A 14-year-old video enthusiast obsessed with violent films decides to make one of his own and show it to his parents, with tragic results.