Panash is a fictional film set in a dystopian near future. Buenos Aires is in flames, convulsed by a state of siege that seems to have no end. But in the margins of the city, there is room for a love story.
Ezequiel, a sixteen-year-old gay teenager in his sexual awakening, meets a boy of twenty-one. They quickly start a relationship and the situation unravels unexpectedly.
Lorenzo is a teenager who lives in Patagonia. One day his family receives in his house to Caíto, the son of some friends who are going through a serious family situation and can not take care of him. He is a complicated kid and has difficulty adapting to the new home. Despite the differences, a unique friendship arises between them. Each has much to learn from the other. Caito, still with his things, has that share of rebellion that Lorenzo needs to break the strict molds in his head and to let his most repressed instincts and passions flow. Home life becomes chaotic but vital and engaging. Caíto is much more than a troublesome boy: he is someone who forces Lorenzo's parents to reopen a dark chapter of their past that they would rather not remember.
Dolores lived the life of a higher-class student until her best friend was found brutally murdered. Two years later, she’s the only indicted suspect for a crime that attracts a lot of media attention and has placed her in the center of the public eye. Dolores spends her days preparing for the trial, secluded in her house as her parents work as a team ready to do anything to defend their daughter. The best lawyer is not enough, they obsessively control around her: how she looks, what she does, eats and who she sees. But as the trial moves forward and pressure grows, suspicion and secrets emerge within the family. Cornered, increasingly isolated and just when any mistake could prove disastrous, Dolores puts the entire strategy at risk.
