Effendi Doytha

The story of two young people from wealthy families who are looking for their own individual identities. Ramona (Lydia Kandou), who hates the patriarchal attitude men have toward women, immerses herself in the lives of the less fortunate people around her. Ramadhan (Djamal Mirdad), who is descended from Malaysian nobility, is in Jakarta gaining work experience as a low level company employee. The two young people meet in Jakarta and begin to like each other. The blossoming romance between these two young people who are each keeping their backgrounds secret from the other conveyed in a light and humorous tone. Eventually, however, they find out about each others' backgrounds. Ramona backs off, while Ramadhan continues to pursue her.

The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.

Like the film’s title, Parody of the Capital resembles a sketch of the community. Oom Pasikom, a cab driver, is stingy because of his measly income. Conversely, his wife moves within the high social circle and is a spendthrift due to her business as jewelry broker. Through Oom Pasikom’s glasses, small stories of the city are told - the ladies’ social gathering, lonely wives, the cleaning of the city and how it affects the small businesses, a student who is writing her thesis and so on.

City students come to the village for KKN with all their arrogance and pretentiousness, led by a fat student named Joe (Didi Petet). Many problems arise, starting from Budi (James Lapian) and Imam (Leroy Oesmani) who are not doing KKN well, but instead competing for a beautiful village flower named Neneng (Deasy Ratnasari). Likewise with Pinky (Meriam Bellina) and May (Sylvana Herman) who went down to the village as if they were going to shop at an elite shop. Their arrival also made the village hoodlums feel angry, so that the KKN activities were disturbed.

Joe Kifly, a university student who owns a “box” car, is dating Fia. Joe changes when he meets Pinky, a modern and rich girl. Joe bets that he can win Pinky’s heart, but she only wants to be friends with him. Joe tries to go back to Fia, who is now being courted by Tony, her ex-boyfriend. When Fia is about to be raped by Tony, Joe comes to defend her, leading to a fight. They have many battles until Tony dies. Joe then gets back together with Fia. The film seems to depict life as full of pointless pretention.

A black comedy about love relationship between a photographer and a bank teller.

Dono, Kasino and Indro is a student boarding house parent Nia, the beautiful girl. Dono and his two friends managed to make the robot to be commercialized. They also met with Chintami top singers. This singer together they hold a charity show for the home repair Ayu and orphaned nearly collapsed. When the show is almost underway, Chintami not appeared since detained managers who do not agree with the plan of the show. With witty style, Dono managed to bring Chintami to the venue. Chintami managers chase up on stage and make a show of their own.

The sequel of Kejarlah Daku Kau Kutangkap (1986), tells Markum and Marni whose now have a teenage daughter while Ramadan and Ramona have a son. After years of marriage, Markum and Marni, still strive for harmony.

Bintang Kejora, an adventurer, is a drug seller who is boastful. He is blacklisted everywhere for being a fraud. One time he comes to a drought-stricken village, merely to see a girl he caught a glimpse of, sticking her head out of the window of a passing bus.

After her father Suhada is imprisoned for a killing in self-defence, Sari and her mother drift into prostitution. When Suhada is out of prison and sees the sad lives of his wife and daughter, he is infuriated. He stabs Deny, the young man who is attracted to Sari, so that lands him again with the police. Deny’s father is against his son having a relationship with Sari. But Deny is the first one who slept with Sari so they continue their relationship for the sake of love.