Evgeniya Ostanina
History
Evgeniya Ostanina graduated from Rostov University, where she received a PhD and lectured Philosophy afterwards. Later she participated as an editor in several famous Russian documentary projects, including The Term (2014) and Kiev/Moscow (2015), as well as the web documentary project Reality (2013-). White Mama is her full-length directorial debut.
Editor
On July 30, 2018, documentary filmmaker Alexander Rastorguev was killed in the Central African Republic. He left a unique mark on Russian cinema, but managed to do much less than he could. "Rastorguev" - a portrait of one of the brightest and most free filmmakers of our time; direct speech and fragments of films, forming a single statement about the meaning of art, homeland and pain.
Screenplay
On July 30, 2018, documentary filmmaker Alexander Rastorguev was killed in the Central African Republic. He left a unique mark on Russian cinema, but managed to do much less than he could. "Rastorguev" - a portrait of one of the brightest and most free filmmakers of our time; direct speech and fragments of films, forming a single statement about the meaning of art, homeland and pain.
Director
On July 30, 2018, documentary filmmaker Alexander Rastorguev was killed in the Central African Republic. He left a unique mark on Russian cinema, but managed to do much less than he could. "Rastorguev" - a portrait of one of the brightest and most free filmmakers of our time; direct speech and fragments of films, forming a single statement about the meaning of art, homeland and pain.
Editor
The Zharkov family-father, mother and two young sons-belong to the Dolgan community, one of the last indigenous peoples pursuing their traditional nomadic life in the extreme north of Siberia. The children used to be sent to boarding school, where they became estranged from their family and culture, but nowadays they can get homeschooling from teachers assigned to them by the Russian authorities. Seven-year-old Zakhar and his older brother Prokopy are the protagonists in this calm, observational film. Zakhar's first year of schooling is with Nelly, a young but serious teacher. She tells him about President Putin and the importance of mathematics, and he learns classical poems by heart.
Editor
Аlina Makarova is a mother of six of her own children and one adopted child. Her ex husband is from Ethiopia, and all her own children are mixed race. Only her adopted son is white, but he has serious health problems and is psychologically unstable. Alina's older children realise what complications the adoption might bring and are afraid that there won't be enough room, time and love for everyone. But she convinces them that it's the right thing.
Writer
Аlina Makarova is a mother of six of her own children and one adopted child. Her ex husband is from Ethiopia, and all her own children are mixed race. Only her adopted son is white, but he has serious health problems and is psychologically unstable. Alina's older children realise what complications the adoption might bring and are afraid that there won't be enough room, time and love for everyone. But she convinces them that it's the right thing.
Director
Аlina Makarova is a mother of six of her own children and one adopted child. Her ex husband is from Ethiopia, and all her own children are mixed race. Only her adopted son is white, but he has serious health problems and is psychologically unstable. Alina's older children realise what complications the adoption might bring and are afraid that there won't be enough room, time and love for everyone. But she convinces them that it's the right thing.
herself
Alexey is shooting a movie about himself. He is in search of a boyfriend. Everything would be alright, if Alexey's mother could accept his sexuality. Alexey comes to visit her and admits that he likes boys, saying 'Don't you anticipate any grandchildren from me'. We find Alexey at Tarkovsky film festival, where he apparently came to rest. Alexey meets Grisha, and a stormy holiday romance begins.
