Nadir Mansouri

Öllers and Niederländer have everything under control. For the past six years, the two successful business consultants have been traveling through some of the seediest countries around the world in order to satisfy their clients greed. They have achieved almost everything, but there is one career move left: to finally become a partner in the company! When they find out that their team colleague Hellinger made the cut, they are at their wits end. Up or Out is the name of the game. The fact that Hellinger falls from an office window for no explainable reason doesnt seem to help the situation. Of all people, the young and ambitious Bianca steps in for Hellinger. Öllers and Niederländer are irritated, sarcasm spreads, neuroses break out. The fight for survival within the company takes its toll the AGE OF CANNIBALS dawns.

Tensions rise when a doctor (Daniel Veronese) pressures his teenage son to follow in his footsteps.

In London, a drug dealer grows increasingly desperate over the course of a week after a botched deal lands him in the merciless clutches of a ruthless crime lord. The more desperate his behavior, the more isolated he becomes until there is nothing left standing between him and the bullet his debtors intend to fire his way.

Stunned Man (2004) is the second part of Rosefeldt’s Trilogy of Failure (2004/2005) in which three different settings draw a picture of our vain entanglement with everyday rituals. In each case the protagonist is caught up in a microcosm that suggests mental and spatial claustrophobia. As a reaction to the hopeless situation, he plunges into permanent Sisyphean activity – going nowhere and producing nothing. The motifs of perpetual attempt and constant failure find their equivalent in the repetitive structure of the loop. The scenes are allegories of our frantic and ultimately futile attempts to escape the surrounding norms, constraints, structures and rituals by which we are determined.