Nathalie Vidal

A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In the vestiges of the camps, director Christophe Cognet retraces the footsteps of these courageous men and women in a quest to unearth the circumstances and the stories behind their photographs, composing as such an archeology of images as acts of defiance.

Road trips through Los Angeles, famous verses in the Poetry Lounge and love in times of the pandemic: Rendezvous with an old flame, fourty years later. After Jaurès (2012), Vincent Dieutre presents another tender autofictional piece in the Forum.

An urban train link, the RER B, crosses Paris and its outskirts from north to south. A journey within indistinct spaces known as inner cities and suburbs. Several portraits, all individual pieces that form a whole. We.

A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.

Pablo is seen less and less in the neighborhood. So much so that his friends no longer even know what's become of him. His secret: he has a passion for horse-riding and hides, for fear of having to cope with other people's attitudes. One day, his pals discover the truth. Pablo must then must make a major decision: to come to terms with himself and become the first cowboy in the projects.

A documentary film that explores male feelings about sex and romantic relationships set against the banlieues of France.

Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind.

Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.

This is a combination coming out and first love story. The swimmer and diver Lucard is interested in attractive Martin. The film follows the characters' coming out with all its difficulties, the bitter-sweet pleasures of first love and the dreadful moment when one comes down to reality and realizes that one's beloved friend has a hard way to go yet. The positive message the film tries to transmit is the somewhat common motto "Live each day of your life as if it were your last."

After losing her mother in a car accident that leaves her with a broken arm, 4-year-old Ponette struggles with anguish and fear. Left by her father with a caring aunt and her children, Ponette grieves, secretly hoping her mother will somehow come back. Confused by the religious explanations provided by adults, and challenged by the cruel taunts of a few children at school, little Ponette must make her way through her emotional turmoil.