Alejandra Molina

Waiting for answers that don’t seem to come, Sica stares at the waves crashing against the coastal rocks. Her father, a fisherman, drowned in the sea. In an isolated corner of the world, Sica doesn’t lose hope. Even if she needs to go against the current.

Ana records an audio message to an old friend. She doubts.

The apparent quietness of a sunny Sunday kindles the walkers of New York. Do they not hear the chants for peace, the shouts against war or the agitation in the streets caused by the civil rights movements? A letter addressed to a brother, the words of poet Langston Hughes and the jazz rhythm reminds us that 1967 was a hectic year.

Pascual Iranzo is a famous and eccentric hairdresser from Barcelona with a unique idea of what it means to cut hair —and stylism— and an even more particular way of understanding the world. At 87 years of age, he maintains his supreme artistic skills and his incredible vitality. Between scissors, friends and cocktails, he is a man who never stops transforming and reinventing himself.

Pascual Iranzo is a famous and eccentric hairdresser from Barcelona with a unique idea of what it means to cut hair —and stylism— and an even more particular way of understanding the world. At 87 years of age, he maintains his supreme artistic skills and his incredible vitality. Between scissors, friends and cocktails, he is a man who never stops transforming and reinventing himself.

Given the fetishizing and normalizing character that is given to motherhood in patriarchy in order to perpetuate the social order, do we truly choose to be mothers? Why is care, of fundamental vital labor, presupposed as an especially appropriate task for women?

War as a preposterous and absolutely masculine fiction -as well as the educational and occupational exclusion of women in a society that educates them to serve and be mothers- is repudiated by Virginia Woof in Three Guineas. The Civilization Desire is a piece that appropriates family movies filmed in Spain during the Republic, the Civil War and the early years of Francoism. The home movie becomes an alternative chronicle to the great stories, that reveals social differences and gender stereotypes learned from childhood, in the civilization of strength, despised by Woolf.