Lucinda Loureiro

Lieutenant Hermes Papauran, one of the best investigators of the Philippines, is at a deep moral crossroad. As a member of the police forces, he is a first-hand witness of the murderous anti-drug campaign that his institution is implementing with dedication. The atrocities are corroding Hermes physically and spiritually, causing him a severe skin disease resulting from anxiety and guilt. As he tries to heal, a dark past haunts him and has eventually come back for a reckoning.

Everyone has a secret. Twins Sarah and Gaëlle near 25; for ten years, Sarah has been a fundamentalist Carmelite in a Brazilian convent, and Gaëlle has been in prison for a heinous crime. Sarah comes to the attention of Fr. Joachim, a priest and physician; he can find no cause for her debilitating abdominal pain. When Sarah and he are transferred to Paris, Joachim looks for Gaëlle, now on probation and finding no respite from society's approbation. An enterprising reporter is digging into Gaëlle's life, the mother superior of Sarah's convent hovers over her, and Joachim investigates the phenomenon of twin's symmetry. Is there any release from the past?

Messias, the husband, a dentist, almost magician. Felizbela, the beautiful wife, almost happy. Joana, the daughter, almost a singer, and Nuts, her boyfriend, almost a filmmaker. Finally the grand father Tobias, a shepherd, almost immortal.

A boy in Lisbon, in this Lisbon in permanent renovation.

The young, sickly girl Bernadette comes from a poverty-stricken family. When the Virgin Mary appears to her in a cavern near Lourdes, no one takes the girl seriously, even when she digs up a wellspring at the Virgin's instructions The local authorities even try to hush up the entire incident. In vain, however, because when Empress Eugénie requests water from the spring for her sickly son, they are forced to acquiesce. And even the local priest is finally convinced. While taking his tuberculosis-stricken fiancé Claire to a sanatorium, the young doctor Henri Guillaumet meets Bernadette. The water from Lourdes' spring heals Claire's disease overnight, but the scientist in Henri doubts the miracle and wants to expose Bernadette as a liar. It is not until Henri again meets Bernadette, who has in the meantime become a nun and works as a nurse, that he finds a way to balance belief and modern science. And his love for Claire is strengthened as well.

After having been in jail, Manuel becomes a bullfighter following dangerously his father's steps.

Early morning and everybody leaves home to work. Jeremias, the gardener, hears the telephone ringing in the house. The front neighbour has a message. Conceição, the maid, called: she won’t be able to come today, Jeremias has to make lunch for Boris. Water falls from the window. the washing machine is not working properly. Boris arrives from school. Jeremias doesn’t have the key

Lúcia is an independent woman who lives alone in Lisbon. Her father commits suicide leaving her a message on phone recorder, revealing a letter he wrote. However Lúcia can't find it in her father's house. On that visit she ends up meeting with her mother, a known political activist with whom she has a distant and tense relationship. In hope of finding the letter, Lúcia leaves to the farm where she grew up, on an isolated location. There she reencounters Álvaro, an old childhood companion, who shares a little life time he has left between roses and the piano, and the guardian angel that follows and protects her through nocturnal wanderings.

1917, a beautiful apparition of Our Lady forever alters the lives of three children: Lucinda, Jacita and Francisco who lived in Villa Fatima in Portugal.

In the forties, in a little settlement lost amidst the mountains of Trás-os-Montes, Leonardo tries to survive by buying and selling marten and fox furs, dreaming of the day he’ll close a big deal.

A fanciful biopic of legendary conductor Arturo Toscanini as a very young man.

An approach to the life and work of Jorge de Sena, relying on the testimonies of Mécia de Sena (author of the texts she reads) and the insertion of brief segments of fiction from texts (poems, fiction and theatre) by the writer.