Mikhail Troynik

Again, a commotion in a small Volga town, a girl disappeared again, they are again looking for a maniac. Zhenya is the only one who knows the truth: the death of the child was an accident. Actually, the girl died almost before his eyes. Only he does not dare to tell this truth to anyone. The fact is that Zhenya was released from prison a couple of days ago, and the sister of the deceased child is Zhenya's ex-girlfriend who left him. The ideal accused. And Zhenya embarks on a difficult, humiliating, dangerous operation to secretly bury a corpse, but if he can go to the end in his deceit, he will lose himself.

2027. A medical corporation launches a TV show to promote its revolutionary invention - the human head transplant. A group of young thrill-seekers gather on an island to play a dangerous game. The rules are simple: win or perish.The prize is priceless - immortality.

Single mother Maria (Daria Ekamasova) lives with her son and daughter in a science city, which is being prepared for liquidation. She believes that her physicist husband, who disappeared six years ago during a scientific experiment, is somewhere nearby — just in another dimension. A former colleague of her husband (Vladimir Seleznev) arrives in the city in search of the missing person's records, and Maria has a boyfriend-trucker Stas (Nikolai Klyamchuk), ready to take her away with her children and start a new life together. Faced with a choice, a woman can not decide to leave her invisible husband.

Oleg is a suburban guy, he has been into boxing since childhood, now together with his friend Lyokha they work in a car repair shop on the Kanonersky island, where they live your average Russian life. He is saving for a round-the-world trip, making plans until a training session cuts his life into the “before” and “after” parts.

Taxi driver and unsuccessful actor Seva Gorelov accidentally meets his first love Masha Sokolova, once a young and carefree girl, and now a thirty-year-old spoiled kept woman. Seva works part-time in a taxi, and Masha accidentally becomes his client. To go far, to Sochi, to their homeland with Seva teenage love. Masha has a wedding there in a few days, but not with Seva, of course, but with a rich patron. From the very beginning it becomes clear that this journey will not end with anything good. 1600 kilometers of adventure, well flavored with humor, ambition, tears, resentment, flirting, passion and a great feeling, which again is out of place.

Ilya stutters a lot, and this interferes with everything - his personal life, communication with the child, work. In desperation, he enrolls in the course of the famous doctor Cherkasova, a guru in his field, whom patients consider a magician and wizard. There he meets new friends and a new love - a young girl Vera. But it turns out that Cherkasova herself likes Ilya, and she intends to win him over.

Some sporting victories are about more than just claiming a title. Some of them go down in history. The film follows the most dramatic and legendary showdown in the history of chess – the match between Anatoly Karpov, then world champion, and Viktor Korchnoi, a recent emigrant from the USSR. In this battle between two outstanding chess players, a duel of personalities under immense psychological pressure, the stakes are incomprehensibly high.

A Muscovite, recently arrived as volunteer in a conflict zone, faces the enemy alone: a seriously wounded female sniper. It appears that both of them are from the same yard. He can kill her and revenge those she has shot. He can rescue her and betray his men. If he doesn’t make a choice, others will.

Since childhood, Svetka Artyukhova was teased for being overweight, and she chose the best way to take revenge - she became a cop. Now no one dares to laugh at her. And the opera Artyukhova herself jokes only to scare the detainees. But on the instructions of her superiors, Svetka will have to go on a stand-up tour under the guise of an administrator in order to reveal the drug sales scheme. A person who never smiles will have to be the errand for those who make jokes. The case is under special control, there is little time, and anyone can be a criminal. Sveta gets down to business with her usual simplicity, assertiveness and without any jokes.

The crazy comedy "City Day" tells about one day in the life of the inhabitants of the provincial Lyubyakino. Celebrating the City Day, people did not notice that the president himself had planned the working trip through the town. Sudden news plunges everyone into shock and creates chaos: the mayor, the district police officer, the priest and other heroes from this place, lost in the outback, forgotten by God and progress, must, in the shortest possible time, bring the city, actively celebrating, as the last time, into a decent look, in a hurry to mask the problems from the view from the guarded cortege and to depict that this is a place of high culture of everyday life.

15 August 1990. Viktor Tsoi, the Soviet Union’s most famous rock star, leader of the band Kino, a symbol of freedom and change, dies in an accident on a Latvian highway. The bus driver who was involved in the tragic accident will bring his body back to Leningrad. A party of mourners – Tsoi’s wife and her new boyfriend, his mistress, his producer, his young son and an obsessed photographer – are part of the trip back. This is going to be a long trip, the perfect occasion for an agonizing unravelling of love, jealousy, ambition, and greed.

Returning from the war, a Captain of the Soviet Army falls into an abandoned well. A casual criminal wants to kill and rob him, but the Captain, doomed to die, must report about this crime even after his death in order for him not to become a missing person.

The new theatrical fantasy is inspired by the last, eleventh, book of poems by Kuzmin (her only lifetime edition is dated 1929). Work on the stage embodiment of this text for Nastavshev is akin to composing symphonic music, and he himself is the composer of the play.

A small but powerful orchestra with strict melodies and rhythms in the spirit of “Avia” unleashes a mechanical frenzy: artists under a thick layer of make-up are throwing replicas from Harms' stories and notebooks. Ultimately, this plotless musical by Maxim Didenko with the artists of the Gogol Center claims to incarnate (literally, from the word “flesh”) the universe of a unique writer, the demiurge of a dislocated reality.

Video of staged adaptation of "Fear Eats Soul"

The three not-so-lucky guys are having the most difficult, weirdest and funniest day of their lives. Meanwhile, in Moscow, a gang of Kyrgyz conspirators begins to wield, a sexist gynecologist and a feminist traumatologist come to work, a film producer is cheating on the Motherland, and clay policemen are uncovering their batons. The only question is which of these meetings will become fatal for our friends.

Lena is a talented midwife and gynaecologist, her husband Serezha is an actor at a provincial drama theatre. They are close and gentle with each other, but there is no sex. Lena suspects that Serezha has an affair, but she worries quietly and does not reveal her jealousy. Instead of sorting out her relationship with her husband, Lena starts to betray him with chance acquaintances. Gradually Lena’s parallel life gets out of control and changes her original life.

Tired of the routine, the President decides to go on vacation in splendid isolation to rest in the Crimea, and at the same time freely communicate with the people. Realizing that it would be difficult to remain incognito and escape from caring colleagues, he resorted to make-up services. But his new appearance exactly coincides with the appearance of Valery from N-sk, who is hiding from the collectors on a voucher for his mother in the Crimean sanatorium ...

Viktor spends his free time trawling bars with ladies of questionable repute, from where he is picked up by a wife he doesn’t love, the mother of a child they never planned. Viktor himself was abandoned by his own father, his mother then committed suicide, and he was left to grow up in an orphanage. Years later, his errant dad returns, now a disabled felon, and Viktor discovers a timely legacy is in the offing – his father’s apartment. The documentation for securing dad’s move into an old people’s home is signed in a flash. Nevertheless, the only one that can take him is miles away and, what’s more, the invalid starts to recuperate during the journey, which is when their real problems begin.

In the summer of 2014, a group of actors of the Gogol Center (Moscow) and the State Academic Drama Theater named after Fedor Volkov (Yaroslavl), headed by Kirill Serebrennikov, went on an expedition to the Yaroslavl region. The purpose of the expedition is to prepare a play based on the poem by N.A. Nekrasov "Who is to live well in Russia". The theater studied life, read a Nekrasov poem together with residents of villages and cities, wrote down documentary monologues of people, asked each person one of the main questions of the poem and today's life: “Who should live well in Russia?” The artist of "The Seventh Studio" Alexander Gorchilin and cameraman Ksenia Sereda recorded every second of this amazing research trip.

Four weird guys from Russia seriously believe they are very important Freemasons. But one day they find out their Lodge should no longer exist. They don't agree and want to fight for their rights, they set out for a long journey to Siberia to find a mysterious Grand Master.

Industrial city of Norilsk: factories, cold, chemical air. The only desire of young people living here is to leave, against all odds. A docu-style, emotionally-driven drama about a young girl desperately fighting for an escape which is so blurry, and for love which is so insecure.