Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
Himself
Component of the vocal trio “Os Tincoãs”, the singer and composer Mateus Aleluia developed his musical career between Brazil and Angola. Back in Brazil around the 2000s he retakes his artistic production in an acclaimed solo career. Following the process of composition of his second album, the documentary “Aleluia, The Infinite Song” addresses in the construction of the imagery around the artist’s life and work.
Himself
Orin: music for the Orixás is a documentary by Henrique Duarte, supported by the FGM Art Every Day edict. The feature film deals with the importance of candomblé terreiros music, its rhythms, songs, traditions and influence in Brazilian music.
Music
Five friends drink beer and chat at Violeta's house. Bit by bit, their stories of love, loss and suffering are told, revealing the acts of love and friendship that helped them through the hardest times of their lives.
