Tsunaji Ichikawa

Movies

Five Men in a Circus
Sound
The main focus is on the 5 member band of a small circus as it runs into problems while touring rural Japan. It also pays lots of attention to the two daughters of the aging and irascible ringmaster-circus owner. The high points are the sound (and score) and cinematography featuring a lot of vertiginous panning (appropriate - as high wire trapeze artists are also an important element in the film). A fascinating side-light on 30s Japan.
Tipsy Life
Sound Recordist
The film generally regarded as Japan’s first true musical was also the first film made entirely in-house by the pioneering studio P.C.L., a company founded specifically to take advantage of emergent sound technology. P.C.L. worked in collaboration with a brewer’s firm, Dai Nihon Biru, who met the production costs of the film in full, and whose products are featured in the film in an example of the sophisticated and modern merchandising typical of the studio’s early work. The film is partially set in a beer hall, and its story concerns a beer seller at a train station and her relationship with a music student trying to create a hit song. Director Sotoji Kimura was to become a company stalwart, making such films as Ino and Mon, while actress Sachiko Chiba would emerge the studio’s first real star, appearing in such films as Wife Be Like a Rose.