Mike McKinlay

Movies

Tights Worship: Inside the Practices of The Rita
Editor
The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
Tights Worship: Inside the Practices of The Rita
Director of Photography
The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
Tights Worship: Inside the Practices of The Rita
Director
The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
Cedar Tree of Life
Camera Operator
A short, expressionist documentary, exploring the relationship between Cedar and three Indigenous women who work with it, weave with it, and live with it.
The Rita - Choreography to Cracked Linear Textural Sound
Director of Photography
A choreography to cracked linear textural sound. Elements of classical and neoclassical ballet used to choreograph a dancer's movements to jagged lines of sound.
RELAW: Living Indigenous Laws
Additional Camera
For thousands of years, Indigenous peoples have governed their territories according to their own laws – safeguarding land, air, water and communities to sustain their cultures and economies. Drawing on the lessons learned over two decades of work with Indigenous peoples on Indigenous law-based approaches to land use planning, impact assessment and other aspects of environmental governance, in 2016 West Coast launched the RELAW program (Revitalizing Indigenous Law for Land, Air and Water).
The Road Forward
Director of Photography
In a unique and defiant blend, the film tells the story of six generations of Indigenous activism through song and story.
Stó:lo — Big River
Additional Photography
Larry Grant and Sonny McHalsie share their stories of the River.
Know Your Place: Reflections of the Indigenous City
Director of Photography
Director Kamala Todd reflects on the land she is occupying and notions of livability.
Cedar and Bamboo
Director of Photography
Cedar and Bamboo is a thought-provoking documentary about the unique relationships shared by early Chinese immigrants and Aboriginal peoples on Canada’s west coast. The documentary recounts the life experiences of four descendants of mixed heritage. Set in BC, their stories reveal the difficult circumstances of Aboriginal peoples and early Chinese immigrants.