Cyrille Hubert

Movies

The Pot-au-Feu
First Assistant Camera
Eugenie, an esteemed cook, has been working for over the last 20 years for Dodin, a fine gourmet. Growing fonder of one another, their bond turns into a romance and gives rise to delicious dishes that impress even the world’s most illustrious chefs. When Dodin is faced with Eugenie’s reluctance to commit to him, he decides to start cooking for her.
The Innocent
First Assistant Camera
The story centres on Sylvie, a nearly sixty-year-old woman who has fallen in love with Michel, a thug she marries in prison. The two of them dream of starting again with a clean slate by opening a flower shop. But Sylvie’s son Abel, convinced that Michel will fall into a life of crime, disapproves of this relationship…
The Five Devils
First Assistant Camera
Vicky has a mysterious gift: she can recreate any scent she comes across, even that of her beloved mother Joanne. When her estranged aunt suddenly returns to town, the invocation of her fragrance plunges the young girl back in time to unravel a past replete with family secrets and queer romance.
Léo by Night
Director of Photography
Paul doesn't know how to say no. He goes from job to job, from man's arm to man's arm, without knowing what tomorrow will bring. This Wednesday, he has to look after his eight-year-old son, whom he did not raise and whom he had with Assa, a surgeon older than himself.
At Dawn
First Assistant Camera
During their graduation party on a beach, three teenage friends take a ride into the darkness on a stolen dinghy. They wake up the next morning, lost at sea, with no food, water or shelter.
Jeune Femme
First Assistant Camera
Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she's determined to make a new start and she'll do it with style and panache.
Trois contes de Borges
Director of Photography
Three supernatural tales where eternity items are being traded and, within easy reach, put our time, image and language landmarks in jeopardy.