Death surrounds Bahman, a director who hasn't made a film in 24 years (he can't get past the censors). He's working on a documentary, for Japanese TV, on Iranian burial practices. On the anniversary of his wife's death, a hitchhiker tells him a story of spousal abuse and infant mortality, he discovers that someone has been buried in his plot next to his wife, and he needs the help of his attorney, a well-connected fixer. He dreams of death, even as he investigates it for his film. His niece's husband, a well-known writer, fails to return home; he searches hospitals for an unclaimed body. His heart disease is flaring up. Is he prepared for death? Is that all that's left?
In love with a teenage boy, Tadaei leaves home in the morning heading for school but decides not to go to school and instead starts wandering in the streets of Tehran. She makes up her mind not to return to home and run away with her lover, because of her parents' reaction to her having a boyfriend but meandering in the city, she gets into some troubles that make her change her mentality of love and inevitably her pathway
Shura
Khosro Paziresh, poor inventor of a magical washing powder went to see the CEO to manufacture his invention But accidentally fell into the elevator shaft.
A girl has heart disease and looks for a heart transplant.
Khosrow and Alireza have a simple single life in Tehran. Someday, the carriage of the one year-old Parisa, which was abandoned at the downhill of a park, happens to stop in front of their house after passing a few blocks. They suppose that she is a foundling so they decide to take care of her. Eventually, the child's mother, Mehri, finds her daughter in their home...
Doctor's wife
Kamran and Moluk, middle-aged siblings, live penniless in the family's Tehran mansion, selling furniture to pay expenses. Their brother, who owns the house, has died suddenly, and his widow, Forugh, is coming from the provinces to visit. Kamran writes an elaborate script and hires a troupe of five actors to be the household servants. The purpose of the charade, which will seem real to Forugh, is to drive her mad, perhaps to suicide, so that Kamran and Moluk can inherit the house. The play is elaborate, Forugh is fooled and terrified, and the police can't substantiate her wild claims. She appears insane to them. All is headed for the mysterious last act.
