Editor
A documentary portrait of the pioneering indigenous filmmaker and activist Merata Mita and an intimate tribute from a son about his mother that delves into the life of the first woman from an Indigenous Nation to solely direct a film anywhere in the world. Known as the grandmother of Indigenous cinema, Merata’s independent political documentaries of the 1970s and 80s highlighted injustices for Māori people and often divided the country. Mita was fearless in her life, her activism and her art. Chronicling the director’s journey to decolonize the film and television screens of New Zealand and the world, the film documents her work, her early struggles with her family and her drive for social justice that often proved personally dangerous.
Editor
Hone is the last of the old time gravediggers. He links the living with the dead. He is the keeper of their secrets. Tana is Hone’s apprentice who respects his uncle and doesn’t mind the physical work. However he finds the spiritual side of the job unnerving. Hone worries that Tana may not be able to pick up the role of the gravedigger and all that it entails. A series of incidents in the urupa (graveyard) lead them to both make final decisions.
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Documentary Hautoa Mā! The Rise of Māori Cinema reveals the remarkable impact Māori have made on New Zealand cinema.
Editor
Documentary Hautoa Mā! The Rise of Māori Cinema reveals the remarkable impact Māori have made on New Zealand cinema.
