Urte Alfs

Movies

Every first Sunday
Director
A theatre group in the German provinces. Some live here, others travel for the rehearsal weekends, returning home for a few days. They all share a love of making theatre and a desire to address relevant social issues on stage. Marianne, who also directs the plays, writes them and they rehearse on her cold barn floor. They are about the conflicts in our society - the new work is about food: the consumption of meat, consumerism, vegetarianism and bulimia. After rehearsals, the participants sit together over coffee and cake in cigarette smoke, planning, gossiping and exchanging ideas about what is happening in their lives. In this motley community, everyone has their own burdens, worries, hopes and problems. But everything is put on the table with an openness that quickly makes it clear that this is not just about playing theatre.
Rules of the Assembly Line, at High Speed
Editor
A small town in Western Germany is the last stop for 26,000 pigs per day and a brief home for masses of Eastern European temporary workers. The workers of the largest slaughterhouse in the country are fighting for survival, while German activists who stand up for their rights are fighting against the local authorities. At the same time, Munich high school students are working on the play "Saint Joan of the Stockyards" and trying to grasp the old text and German capitalism of our days. Interwoven with the young people's examination of the text in the rehearsals, the film deals in various fragments with conditions and facets of temporary work and labour migration in Germany.
Eight Hours Don’t Make a Day: A Series Becomes a Family Reunion
Editor
Documentary about the making of Rainer Werner Fassbinder's 1972 German television series EIGHT HOURS DON'T MAKE A DAY, featuring interviews with actors Hanna Schygulla, Irm Hermann, Wolfgang Schenck, and Hans Hirschmüller.