Carlo Varini

Psychological drama about a tunnel construction in the alps which becomes radioactive.

Four garbage collectors discover a disoriented young woman, hidden behind a heap of boxes. Charitable, they collect her and provide her with hospitality. One of them has an artist's studio where they usually meet. Secretly falling in love with this pretty and mysterious woman, they will, at first, collect the garbage in record time to get back to her, then considerably slow down the rate when they learn that the young woman is on the run, dangerous, wanted by the police. The four friends begin to regret their simple life of yesteryear.

Suddenly he thinks her alone, his wife. This person whom he doesn't know how to love and who is now falling prey to a gnawing disease. This woman whom he knows so little about and whom he would like to be with him. Right now, Just like before.

Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.

Objectively, Odette Toulemonde has nothing to be happy about, but is. Balthazar Balsan has everything to be happy about, but isn’t. Odette, awkwardly forty, with a delightful hairdresser son and a daughter bogged down in adolescence, spends her days behind the cosmetic’s counter in a department store and her nights sewing feathers on costumes for Parisian variety shows. She dreams of thanking Balthazar Balsan, her favorite author, to whom – she believes – she owes her optimism. The rich and charming Parisian writer then turns up in her life in an unexpected way.

At the end of 19th century, Doctor Pierre Adélaïde, born in Martinique, gets to a small village in Charente to take over from a colleague. Soon, he is facing something else than racism: fear of foreigner. His office is desperately empty.

Set in 1940s France, a new teacher at a school for disruptive boys gives hope and inspiration.

Gifted student Antoine goes against his family’s wishes and accepts the lead role in a controversial director’s film. He learns that the role had previously been offered to a young man who committed suicide after an on-set affair – and events conspire to draw Antoine towards the same lover.

Lionel has a way with women. His sexual exploits make his friends jealous. One of them, Alain, challenges him to seduce a beautiful woman picked at random, fall in love with her and spend a night with her — but abstain from making love.

Arrived in New York, Margaux went to the bedside of her daughter Jess, who tried to commit suicide. She lives with Vic, who no longer satisfies her sexually. His ex, his father and his best friend, reappear soon in the life of Jess.

A rich Moroccan who belongs to the better circles has seven daughters. Whatever happens, the eighth offspring must be a son. It is a girl again, but she is given a male name, Ahmed and grows up like a boy. When Ahmed is 21, he is in an identity crisis: he wants to shave, leave a mustache and take his niece to wife. In the meantime, Ahmed's father is dying and wants to sail to heaven. He calls to Ahmed and calls her a female name Zahra and gives her freedom so that she can go out.

Inspired by a story, that of a woman who, in the 1940s, organized a commando operation on Boulevard des Hirondelles to get her lover out of prison.

Following a climbing accident in the mountains, Pascal loses the use of his legs and is confined to a wheelchair. The film follows his gradual acceptance of this during his stay in a rehabilitation centre and, with the support of fellow residents, the return of his will to live.

With three of his companions in a fatal gas-station robbery drowned while evading a police roadblock, the surviving young thug has no reason to turn himself in to the police, since they don't know about his existence. At least, that's the way his rescuer Bruno (Bruno Ganz) sees it. Besides, Bruno needs such an overly enterprising fellow to help him pull off a really big heist that he's been planning for a long time. It takes some doing, but the boy and his girlfriend are recruited by the older man, who has been keeping a low profile by working as a gardener.

Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest -- determining who can dive deeper and longer without scuba gear -- Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.

Fifteen-year-old Camille is a vulnerable and a strong-willed seductress- she chooses, she takes, she leaves; she can go very far in her desire for freedom. She is the daughter of disunited parents, Armand, a professor and Colette, an intellectual bourgeois. She manages to seduce Jean-Louis, a professor of letters of thirty-seven years, friend and colleague of her father. She makes him commit a lot of extravagance - he even dyed blond. Later she had a passion for Samuel, a former student of Jean-Louis, lout and trafficker. She is not easy, men learn at their expense, either sentimentally, as with the teacher, or that the first sexual experience come to ignite the relationship with Samuel.

This is a simple, straightforward tale about the rise and fall of human civilization that focuses solely on four characters: a farmer (Naseeruddin Shah), a weaver (Om Puri), a trader (M.K. Raina), and a woman (Shabana Azmi). At the beginning of the story, the workers in a decaying village are offered food and water if they work for the local lords. The farmer and the weaver refuse. The farmer grows food for them both, and the weaver creates textiles that uses to barter with an itinerant trader. One day a frightened, lonely woman arrives on the scene and she is taken in by the two men. She cooks and cleans, and before long becomes a source of contention. Meanwhile, the trader is observing these events from the sidelines.

Not just another documentary on the French resistance movement, this film focuses on one particular group of underground fighters in France: those from Eastern Europe. Many were Jews and all had fled their native countries before the war broke out. They were among the most staunch and fearless enemies of fascism, as shown here in personal interviews and memoirs of war-time experiences. But the most famous of these immigrants were 23 who were rounded up among several hundred Parisians in 1943, tried for their activities, and executed -- all were immigrants under the leadership of the Armenian poet Manouchian. After their execution, Paris was papered with posters decrying these 23 martyrs as "foreign communists."

Fred, a raffish safe blower, takes refuge in the Paris Metro after being chased by the henchmen of a shady businessman from whom he has just stolen some documents. While hiding out in the back rooms and conduits of the Metro, Fred encounters a subterranean society of eccentric characters and petty criminals.

An ad executive impersonates an archeology professor to avoid a situation with an obsessed former lover. She enlists the help of a hapless archeologist who is at the airport to pick the real archeology professor. What follows is a series of conflicting and comical situations involving the "switcheroo."

The plot explores the devastation of civilization and issues of brutality, hostility and isolation. Pierre Jolivet stars as the main character (identified only as "The Man" in the end credits) who is menaced by "The Brute" (played by Jean Reno) on his journey through a world filled by people rendered nearly mute by some unknown incident.

A Canton Ticino family goes up for the weekend to the house in the mountains where the father spent his childhood. The journey to the valley, suffered at intervals by his wife and children, is an obsessive ritual for Alfredo, repeated week after week as he searches for his past.

A man wanders through a wrecked, dystopian city, finding violence everywhere he turns.