Christos Goussios

Daniel, a German teenager, is sent to a juvenile offender community in Greece, to serve his sentence. There, in an abandoned village of Evros river region, near the border with Turkey, he experiences never-felt-before emotions and is called to solve difficult dilemmas... His final decision will surprise everyone.

Greece, Russia, USA, Brazil, China, Senegal. Meeting young people in these countries we heard a ‘Rumble’ foretelling an impending explosion. The fall of communism, crisis of capitalism, ecological catastrophes, migration waves, globalization. The new generation is at the forefront, exposed, helpless without being able to envision a more optimistic future. This ‘Rumble’ comes from this young generation. Their words, images, sounds and music compose the notes of an audio-visual symphony entitled: ‘The Rumble of the World’.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.

A random explosion connects three stories, where strangers are trying to find some way to live on the edge of legality.

Early 1982. The spelling of the Greek language changes from polytonic to monotonic. New technology replaces the old handset type. The conflict of these two worlds pushes certain people to overcome themselves.

Early 1982. The spelling of the Greek language changes from polytonic to monotonic. New technology replaces the old handset type. The conflict of these two worlds pushes certain people to overcome themselves.