After his son is wrongly accused of kidnapping, a deacon who has just lost his wife takes matters into his own hands and fights a crooked police gang to clear him.
A young lawyer gets a case he believes will make him rich. In the process he encounters dangerous men willing to kill to protect a fake and adulterated medical drugs trade worth billions in Nigeria. The outcome helps him come to terms with his life and resolve the clash of values he has had with his father all along.
Balthazar is a young African filmmaker on the brink of directing his first project, The Cycle of the Cockroach, a fictional story about a young woman who survived unspeakable atrocities only to find herself committed to the same mental institution as a man driven insane by the crimes he perpetrated during the war. Potential funders for the film insist the themes are too bleak and pessimistic-they encourage Balthazar to make a "message" film that raises awareness about gender-based violence or HIV/AIDS instead. But he refuses to give up. Instead of telling his production team the news, Balthazar continues preparations for the film without financing or equipment. After rehearsing a scene with each of the characters, reality blurs and scenes from the script materialize, provoking the question: Can a film like this exist only in the director's dreams? Armed with a daring and creative visual language...
