Jonathan Fuhrer

After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.

After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.

The work is composed of two separate films followed by each other. Both films explore transcendental issues through archaeological and illegal excavations of tombs.

In the desert of Crestone, Colorado, a group of SoundCloud rappers live in solitude, growing weed and making music for the internet. When an old friend arrives to make a movie, reality and fiction begin to blur.

In an unusual experiment, a thousand 17-year-old boys from Texas join together to build a representative government from the ground up.

A democracy should protect its most vulnerable citizens, but increasingly the United States is failing to do so. This investigation blends the insights of experts with the experiences of citizens of the Rust Belt in the Midwest where the steel industry once flourished, but where closures and outsourcing have left urban areas desolate. It is here where Donald Trump finds some of his most fervent supporters.

A closeted young woman brings her girlfriend home for Thanksgiving, only to have her coming-out efforts thwarted by the unexpected arrival of her male roommate.

14-year-old Joe is the only child of Jeanette and Jerry — a housewife and a golf pro — in a small town in 1960s Montana. Nearby, an uncontrolled forest fire rages close to the Canadian border, and when Jerry loses his job (and his sense of purpose) he decides to join the cause of fighting the fire, leaving his wife and son to fend for themselves.

Fragments 83 rediscovers—and repurposes—Richard Millen 1983 experimental film If You Can’t Be with the One You Love, shot in Brooklyn and the West Village in the early days of the AIDS epidemic. The resulting documentary explores the hunt for sex/love, the joy of making cinema, and the inexorable passage of time.