Marcos Manna

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

After his girlfriend's murder, Daniel, a physics student becomes obsessed with the idea of going back in time to stop the tragedy. He lets himself be consumed by his own obsession until after years of isolation, he finds the solution. Daniel then gives up his future and returns to the past. However, he is not the same man.

Madalena is Sônia's mother, who is Julia's mother, who is Camila's mother. A family of women so different, yet trapped by events and tragedies so interconnected. Closely related, distant due to fatality. A story where reality invades fiction.

The first transgender in the brazilian army, Maria Luiza's story begins in Ceres (Goiás, Brazil), where she was born in July 20, 1960 - the same day we celebrate Santos Dummont's birthday, patron of the Brazilian Aviation. Since she was a child, she didn't consider herself as a boy. During puberty, she went through a vocal cord scraping process and a hormonal treatment to become manlier. Depressed, she dropped out of school. At 18 she enlisted in the Air Force, and being completely in love with airplanes, she saw an opportunity there. She was drafted into the military in 1979. It marked the beginning of 22 years of service as a military aircraft mechanic in Brasilia.

Mina (Priscila Fantin) is arrested for defrauding the Social Security and beyond to defend the other inmates need to escape from the prison director of surveillance (Tuca Andrada). The crime involved a Senator (Antonio Calloni), trying in every way to prevent your participation to surface.