Stéphanie
A woman meets a man in a bar late in the evening and goes to his apartment. A woman picks up a girl from school and runs with the child through the park. If we see such scenes in a movie, or are we watching such situations in life, we quickly believe we know who these women are: a woman looking for a fleeting adventure in the first scene, a caring mother in the second.
With his job in the balance, Gérard bets his boss that he can transform bad-tempered street person Lola into television star material. With the inducement of stardom as his lure, he takes Lola in hand and becomes her instructor, sending her to ballet and acting classes, where she misbehaves. Most of her petulance is reserved for Gérard, however, but in the tradition of Pretty Woman and My Fair Lady, in the end he gets the girl and a new star -- in the same package.
