Georges Rey

A cloudy sky hides the reality from us.

A static shot which lasts 38 minutes and portrays Philippe Parreno as a multilingual lecturer, whose topics include Philippo Lippi and Buren.

Humorous portrait of the great specialist of video art in France. From one of his lectures only the silences remain. It's up to us to imagine what he might have said about video art. Removing speeches on video to become video.

The real is consumed and goes up in smoke. All that's left is an elusive shape, endlessly transforming. The frame limits its ascent to the top, depriving us of its disappearance in the air.

Work with the most banal image possible, such as the images of the Post Office calendars.

Reel 15 of Gérard Courant's on-going Cinematon series.

Flowers in compression and expansion, blurry and clear, ballet of flowers around which we turn, flowers in final bouquet. A choreography of these fascinating messengers of love.

An action limits the film, the swing of a microphone over a speaker modulates the sound of the action. A staging that will not do what one surprises oneself to expect.

Three portraits, in relation to the Punk spirit, of Didier Ozil dressed in black, aggressive air, Gabriel Pouget, expressive in his passivity, Stéphane Varinard, puts charcoal on his face to disappear. Superimposed on the faces, the group Marie and the boys, the play of lights inside the Le Palace club in Paris and a country cemetery.

Evolutionary film that focuses on culture and nature. Ants, Cézanne, Picasso, Sainte-Victoire, Avignon, Place de l'Horloge, Venice and its canals, Carmen, La Tosca, Gros Caillou de la Croix-Rousse, Toulouse, Mirail, swimming...

Between dog and wolf, stones are thrown into perfectly still water. The sound of a dredger off-screen disrupts the complete silence of the place.

A naked man disappears into the light.

For La Source de la Loire, I was in Paris, looking for a job... All the time, the word source followed me (it turns out that my grandparents lived near the source of the Loire.) The word source escapes the world, it gives without taking anything. Suddenly the autumn, it was necessary to shoot, but it was not for me, it had to become a necessity, one has to be wary because that is not what is in the film.