Reinhard Kofler

The entrance to a men's toilet in an underground pedestrian passage in Vienna. Church bells are heard in the distance. In a merciless editing rhythm, anonymous men are brought ever closer to the opaque glass door, in rhythmic stanzas they are stucked ever deeper inside the room one can't see into. In between there are photos from a pornographic magazine, in which a tattooed Saviour is placed in a direct connection with the sexual intercourse between two men - all to the sounds of ghastly brass band music. Prince of Peace is written under the Redeemer's face.

A continuous shot from a vehicle's dashboard offering fascinating glimpse of a Calcutta street and the larger picture of daily life in the city.

Molly wants to hear a story so Leo tells her about how he lost his reflection that morning while shaving. Austria's submission to the Academy Award foreign film competition in 1984.

An old man is to be evicted from his home. He is the last tenant in an old house. He refuses to leave the flat in which he has passed his whole life. All appeals asking him to be 'reasonable' are of no use. And when he finally gets out his shotgun, the cops appear and use tear gas to drive him out of his flat. He is put into a straitjacket and carried out of the house as someone who's 'aggressive and always grousing'. 'The film is a bitter elegy for the unknown Vienna, seen with the eyes of an old man. A remarkable Austrian film.'

An author searches for cues about the life of a girl confined in a community home before her suicide. While trying to put together a literary piece he increasingly becomes aware of the insignificance of his own creative work. He has no insight in any world but his own.