Markus Busch

It's his last chance to get back on his feet. And so Philipp Keyser knows no scruples as he approaches the young painter Alma, to find a lost painting, which is in the possession of a mysterious old man. Too late, Philip is clear that he expires more and more the young woman. In the main roles of Dominik Graf's film "In the evening of all days" Friedrich Mücke and the great theater actor and narrator Ernst Jacobi are to be experienced.

Tania is an actress, 43. Thore is 15, a misfit in a small village at the northern tip of Germany. At the beginning of winter, Tania escapes from her numb life to the village. They meet. She decides to steal him from his parents.

Tania is an actress, 43. Thore is 15, a misfit in a small village at the northern tip of Germany. At the beginning of winter, Tania escapes from her numb life to the village. They meet. She decides to steal him from his parents.

The police psychologist Jo is supposed to help catch the sex offender Molesch. Since the hotel is fully booked, she stays with her old college friend Vera and her husband Bruno. It turns out that Vera and Jo used to be in love with the same man. The two women's musings are interrupted when Molesch suddenly appears in the garden.

1818 in the Münsterland: Innumerable pilgrims seeking comfort and consolation visit the bedside of Anna Katharina von Emmerich, a nun whose body bears marks of the holy wounds of Christ on her chest, forehead and hands. Clemens von Brentano, an artist in his prime, visits the nun′s sickbed as a simple "writer of the wonders of God" to take down her visions and beliefs. He believes himself to be in charge of his life as a devout Catholic. The former rake′s encounter with the charismatic nun proves fateful, however. For both of them.

A rebellious young woman is thrown out by her wealthy, but marbly parents and gets into a nightmare of poverty, prostitution and sickness.

Dominik Graf relocates the story of the same name by Henry James from the 19th century to the year 2001.

Katrin and Jürgen spend their holidays in Corsica. Katrin is in her mid-thirties, working as a tracer at Jürgen’s company who suddenly remembers he’s married – but not with Kathrin. So they decide to end their vacation earlier than they had planned. Virtually a second before they start to drive back to the airport, Katrin takes her belongings out of Jürgen’s car again and lets him go. Now being alone for the remaining days of her vacation, Katrin finds herself more and more bewildered by the things that happened to her.