Sara Paesani

A long love story, seen through the memories of one young couple. The journey through the years of two individuals, united, divided, happy, unhappy, deeply in love, or in love with others, in a single stream of emotions and shades of feeling. Over the course of the film, he learns that love can indeed last, while she learns to live with nostalgia.

In 1914, with Italy on the cusp of joining World War I, a commune of Scandinavian artists establishes itself on the rural island of Capri, a safe haven for dissidents and nonconformists from all over the world, like Russian exiles led by Maxim Gorky, preparing the upcoming revolution. Here, local shepherdess Lucia finds herself torn between Seybu, the charming leader of the commune, and Carlo, a young doctor.

Rome, 1990. The night Italy's national football team is eliminated from the World Cup by Argentina on penalty kicks, a well-known film producer is found dead in the Tiber river. The main suspects for the murder are three young aspiring screenwriters, who–promptly taken to the police–start to tell their version of the story.

Marcello, a small and gentle dog groomer, finds himself involved in a dangerous relationship of subjugation with Simone, a former violent boxer who terrorizes the entire neighborhood. In an effort to reaffirm his dignity, Marcello will submit to an unexpected act of vengeance.

The story of an encounter between a bourgeois man and a poor woman, because their teenage children fall in love.

Fulvio is the only one of the three brothers to have left the village to go to work in the city. Deputy chief of staff in a large company, he dismisses people without remorse until he gets fired himself and after being jailed for beating his superior, is entrusted to his brother, who's a pastor in the village where they grew up. Forced into a place far from the modern world, Fulvio decides to help the local church in crisis by inventing a miracle that makes everyone believe that the saint's statue weeps. Tourists and pilgrims rush to the village and are filling the pockets of local businesses until the Vatican decides to send someone to certify the event. Fulvio must confess the scam, but the entire village will rise to convince the envoys of the Holy City for the veracity of the invented miracle.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

Cristina lives a peaceful life until her older brother Ciro, who has to attend a trial, asks to spend house arrests at Cristina’s home.