Ajith V Reddy

Movies

Dhyanimani
Cinematography
Samir and Aparna find out about Aparna's pregnancy and plan a weekend trip to Roha to visit Sada and his wife Shalini, ex students of Samir's father. Sada works for a company which builds resorts while Shalini is a doting mother to their son Mohit. Sada and Shalini welcome Samir and Aparna. But Mohit is out for a school picnic. As the night night passes there is no sign of Mohit returning home and Shalini panics and ask Sada to find the reason behind delay. But the situation gets more tense and Samir and Aparna realize that things are not the same what it seems to be.
Sandook
Cinematography
Sandook is a Marathi movie starring Sumeet Raghvan and Bharagavi Chirmuley in lead roles. it is a satirical comic thriller set in pre independence era in a small town. The main protagonist Wamanrao Ashtaputre is a simple honest man who always dreams of getting rid of the British Raj. The film is filled with hilarious moments and one liners. Sandook is a complete family entertainer with a feel good factor throughout the story
City of Gold
Director of Photography
Today, there is hardly anyone who hasn't visited the swanky shopping malls, nightclubs, lounge bars, clubs and other such lifestyle destinations that sprung up across the centre of Mumbai. However, very few know that buried deep below these glittering edifices to consumerism lies the dark, dirty and painful reality of many thousands of mill workers who once worked the cotton mills in this very same area. Rising and toiling to the wail of the mill sirens each and every day, seven days a week, these workers embodied the true unbridled zeal and unflagging spirit of the city and played a pivotal role in the evolution of Mumbai as the modern day business capital of India. And then it suddenly was as if they never existed. Following the mill workers strike in the mid-80s, these mills began closing down rapidly and the mill-workers mysteriously disappeared...
Paheli
Focus Puller
Kishanlal marries the beautiful Lachchi, but the day after the wedding, he leaves on business for five years. When Kishanlal reappears only a few days later, Lachchi is delighted, but this new Kishanlal is in fact a spirit who has taken the form of Lachchi's husband, after having seen her by chance and fallen in love with her. Four years later, the real Kishanlal returns and the townsfolk must determine who is who.