Hillevi Lagerstam

On her way home from an evening shift at a men's clothing store, Saara Nevanen is raped by a man whom she recognizes as her regular but eccentric customer, Antti Kaironen. The doctor and policemen question Saara in an insensitive manner,and she breaks down with guilt. When the court releases the perpetrator inlack of evidence, Saara's aggressive brother Jari talks her mild-mannered husband Sakari into a self-made revenge plot. Armed with two rifles, Jari and Sakari take matters into their own hands.

Irma Auer (Satu Silvo) is a former call-girl, trying to distance herself from the past. In a séance she is told to be 'marked for death', and is afterward threatened by her former pimp and abandoned by her groom, as he learns about her past. Irma attempts to commit suicide, and resurrects at the city morgue after being pronounced dead. After the incident, she wanders out direction-less, being pursued by the doctor who treated her and also a strange, tall man.

Aaro Saarinen is a foreman in the paper mill. The new generation continually questions his authority in both at work and at home.

Triangle comedy about a movie crew shooting a no-budget artsy film. Director Pohja is a clumsy beginner, cinematographer Törrönen an old pro, and the leading actors Igor and Merju first detest each other although the script is supposed to make them lovers. The two gradually grow closer even in real life, but the director too has set his eyepiece on Merju

A story of a mink coat passing from one owner to another binding their fates.

The last black-and-white film in the Niskavuori series of movies.

Grandmother Helena Junkkeri is working on a farm that her widowed son Arttu is unable to take on. Taina Raitalo who arrives at the house as a childminder makes the grieving man smile again, and Artu's little sister Päivi in turn delights the entire Junkkeri family with her achievements.

A wide-eyed doll salesman is mistaken for a bomb-wielding anarchist by the oppressive forces of the totalitarian state.

An architect, who has recently married a new, younger wife, tries to re-connect with his ex-wife, who is being courted by another man.

Poor orphan coffee delivery girl loves a poor painter who can't sell his artworks. Painter likes delivery girl, but has stuck in a friend zone. Delivery girl tries to help the painter to get forward in his career, but meanwhile a rich woman becomes too interested towards the painter.

Niskavuori's Aarne (Arne från Niskavuori) is a Finnish drama film from 1954. It is based on Hella Wuolijoki's play Niskavuori's Bread. In chronological order of the Niskavuori series, the film is the fourth. Aarne has married Ilona and left the house in Niskavuori, which he hosts, where his former wife Martta still lives, while the old mistress is holding the reins. Aarne and Ilona live in Helsinki, but Aarne has not been able to completely break away from Niskavuori, but keeps secretly in touch with the headmaster and gives instructions on the farm management.

An archaeological team unearths a body of a young woman, who was told to be a witch buried in the bog some 300 years ago. Soon a naked woman appears and drives the men of the village crazy...

The S/S Vellamo heads to Alexandria with Kaarina, the daughter of the ship's owner Hallerman, on board. As Kaarina trades places with the family's housekeeper Marja, first mate Yrjö takes a liking to Marja whom he believes to be miss Hallerman. Meanwhile Kaarina, pretending to be a member of the cleaning staff, starts getting close with lower ranking officer Kalle Aaltonen.

Two conservative men are surprised when they find out that their wives are actually athletes.

Marja is a prostitute who has to run away, when her pimp Jussi robs and kills one of her costumers. She finds a hiding place in a mansion on the country side. Marja falls in love with the master of the mansion, but Jussi finds out Marjas whereabouts and comes to meet her.