Wojciech Zagórski

Russia, 1870. A group of young anarchist revolutionaries set out to overthrow the Czarist regime through violence. Their attacks create a climate of psychosis and mutual distrust among the population, but in reality, both revolutionaries and repressors are being manipulated by a diabolical individual.

Kaziuk, a stubborn peasant and his pregnant wife live in a backwood village, unaffected by the civilization. The village is once visited by a couple of wanderers, and strange things start to happen afterward. A new schoolteacher is sent to the area. She stirs erotic fantasies in Kaziuk. In a stir of frustration Kaziuk cuts down a family tree - a sacrilegious act in the eyes of his family. Going a step further and using a scythe for cutting the rye instead of a sickle brings the whole village against him.

A famous surgeon is beaten by drunken bullies, loses his memory and cannot recollect who he was before. He gets to a village, lives in a not so well to do family and becomes the Quack - he slowly regains his talent for medicine and saves the lives of several village patients.

Tadeusz Krzakoski (Krzysztof Kowalewski), the director of a failing state-owned company, is married with problems. His mistress, the daughter of a Communist party bigwig, says she's pregnant and Tadeusz knows he'll have to marry her to save his reputation and his job. But divorce is never simple and Bareja's screwball comedies are never boring.

Two men go to Warsaw to sell Christmas trees and meet old friends.

Modest editor, has shipped his wife and kids for the weekend, and is trying to relax in his house at the outskirts of Warsaw. His quiet evening is only disturbed by the accidental forecast made by a Gypsy woman, that at evening time he will murder a mysterious brunet.

A young doctor from the lower classes is helped in his career by a rich woman. When he comes back from study in Paris he takes a job at a watering spa. He comes up against the owners when he tries to help the poor.

A journalist is preparing to take a train trip, when he is confronted by the spirit of professor Ryszpans who tells what happened to him. When he boarded a train standing on a siding, he encountered trackman Wiór with a newspaper informing about the crash of the train and the death of several passengers, including professor Ryszpans. The professor is joined by engineer Zniesławski, who has also heard of the impending disaster and is interested in it from the technical side. On hearing the news of an approaching catastrophe, other passengers leave the train in panic at the next station. However, trackman Wiór manages to hypnotize several travelers who continue with the journey. Ryszpans hears a roar and sees objects crumbling around him, and then turns into a shadow. After hearing the story, the journalist resigns from his train trip.

The story of a Pogorzelski nobleman who settled in the castle in Samsonów to renovate a damaged building. However, he is disturbed by the ghost of the former owner.

A friendship grows between two prisoners when they haul a cart with provisions during the evacuation of a concentration camp. However, their friendship ends tragically.

To secure their team's success, dedicated football fans (Boleslaw Plotnicki, Mieczyslaw Czechowicz) plot to kidnap their opponents' star player (Andrzej Kopiczynski).

Adventures of a two little girls kidnapped from their families.

Freed Polish soldiers are trapped in a small town in Germany during the last days of World War II. After a doctor's daughter is raped by a concentration camp worker, the Poles allow her and her father to stay in the house that is their temporary quarters. While waiting to be repatriated, the war-weary group is forced to fight some German soldiers who invade the town. The war brings out conflicting emotions of the Poles who find themselves trapped in the house and once again under fire from the enemy.

A boy awaits the return of his long-absent emigre father but is disappointed when they finally meet.

With the second part of his Cellulose Diptych, award-winning director Jerzy Kawalerowicz returns to protagonist Szczesny, now a full-fledged, middle-aged communist militant in pre-war Poland. Based on the writings of Igor Newerly, Kawalerowicz's epic chronicles the romance between Szczesny and the charismatic Madzia, as the ill-fated pair fall in love amid the social and political upheaval of their homeland.