Mariana Seropian

Marcelo, 50 years old, has dedicated his life to teaching philosophy at the Public University and suddenly his mentor and boss, Professor Caselli, dies. Disoriented in this new landscape, Marcelo assumes that he will inherit the position left vacant by his mentor. What he doesn't expect is that Rafael Sujarchuk, a charismatic and pedantic philosopher trained in the best European universities, also covets the position. Between his multiple jobs as a philosophy professor in the local slums, at the university and privately with an 80-year-old millionaire, he must also prepare to run for office against this strong opponent who seems to have everyone on his side. Marcelo's clumsy efforts don't seem to be enough to get the job, but is that really what he wants?

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.

It’s 1955. Rosa a skillful seamstress becomes the only witness of a murder. In a time of political tension in Argentina, the crime’s investigation will trigger the final resolution of the conflict and sealed Rosa’s destiny for good. A typical crime film with the exception that the detective is a housewife.

For an entire year, a small town up northeast Argentina undertakes the construction of a hotel. Young Isabel goes through the first-hand experience of a clash of cultures.

Buenos Aires. 1928. Midnight at the editorial department of the mythical newspaper 'Critica'. Once again, Roberto Arlt (one of the most renowned Argentine writers) must go on the hunt for a sensationalist story.

A porn director is getting close to the dawn of his career.