Anežka Kunová

A British citizen by the name of George Reiner (Jirí Sovák) arrives at Prague airport. He was once a Czech safe-breaker, and has now returned home after thirty years to steal twenty-dollar gold coins still kept in the safe at a private villa in Pilsen whose owner fled to the West.

It is the summer of 1945. A party of young people are enjoying the beginning of a new life to the full. For them this is the year one. One of them, law student Pavel, is more attracted to film than to law. With his eight-millimeter camera, he films everything that catches his attention. One day he captures an interesting face on film, a girl with an air of mystery. Pavel visits the girl, whose name is Helena, and meets hers and her elder energetic sister Olga. From Olga, he learns that the girls have spent the years of German occupation in a concentration camp and cannot forget the horrors they have lived through.

The summer holidays are approaching and the children are bragging about all the exciting places they are going to visit during the long-awaited two months of summer. Only Tonda is not looking forward to staying in Prague over the holidays. He brightens up after his father announces that the boy can visit some friends of the family in the village of Petipas.

The harsh reality of a home for abandoned children blends with episodes of youthful fantasy and slapstick comedy in this story of an orphan girl. Lucy's fondest wish is to find new parents and leave an orphanage. She befriends a man who can create doors from paint. He gives her a stuffed dog that magically comes alive when placed on the ground, and he and his wife end up adopting the little girl. After finding parents of her own, Lucy sets out through fantasy to find parents for her orphan friends. All of the people Lucy meet during her remarkable make believe wanderings end up taking children home.

At the year 1946, the time of the Nuremberg Process. One of the main actors of the Second World War, who reportedly committed suicide, Adolf Hitler is, however, missing. The Czech doctor Herman (Karel Höger) is kidnapped from Prague and driven to the sanatorium of Professor Rolf Harting (Jirí Vrstála). The sanatorium is a disguised military stronghold, most probably occupied by a Nazi garrison, with prison cells and an execution chamber in the basement. At night, Herman is taken to a patient in whom he, to his horror, recognizes Hitler (Fritz Diez).

Spy film about a man with a face lift who gets recruited by western organisations.

The title of this highly-regarded Czech drama translates as Wolf Trap. Set in the 1920s, the story revolves around an ambitious young provincial politician (Miroslav Dolozai) who enters into a marriage of convenience with a smotheringly possessive -- and much older -- woman (Jirina Sejbavola). Hoping to temporarily escape his overbearing wife's clutches, the husband strikes up a friendship with her young ward (Jana Brejchova). The relationship blossoms into a deep abiding love, but the jellyfish husband can't bring himself to declare his ardor to the girl. Even after the death of the wife, the husband hasn't the intestinal fortitude to admit his passion, and the results are bleak indeed for the unfortunate ward. Director Jiri Weiss does a masterful job staging his story of frustration and denial against a backdrop of post-WWI bourgeois banality.

A spring is hidden in the Iron Mountain but the people of Arzen cannot get to it and they are suffering from thirst.

Dalibor is a 1956 Czech film of the opera of the same name by Bedřich Smetana.[1] Directed by Václav Krška, the film was entered into the 1956 Cannes Film Festival.

Venice Film Festival 1955

Czech drama film.

The Trap (Czech: Past) is a 1950 Czech drama film directed by Martin Frič. It was entered into the 1951 Cannes Film Festival.