There’s Evelyne who loves Albert, who loves Arthur, who loves the girl who plays the actress, who loves the man driving the convertible. There’s the night which only loves itself and death which only loves once. It would take more breath to kiss everyone and more time not to displease anyone.
Vincent and Olivier have an intense, rocky relationship: Vincent evades tenderness, just as he does desire, forcing the couple to hunt for a third partner to participate in their sexual games. Olivier has a background in the theater. He believes in, but is preoccupied by their relationship; he wants to free Vincent from the ghosts haunting him. But Vincent is locked into the past. His father, a pilot, was killed in a plane accident. Vincent’s job is a strange, uncommon one that plunges him deep into contemplation from which no one can make him budge: he deciphers plane disaster recordings. Vincent’s unconscious repression is so powerful that he hasn’t even recognized the link between his father’s death and his work. It will take the stormy encounter with Olivier for Vincent to obtain his ‘black box.’ Indeed, the two young men come to life through their connection with each other, a connection which shatters the framework of typical love stories.
Thomas
Karl de Linken, an elegant young man, adventurous and unattached, arrives in the square of a small Corsican village perched in the mountains. His presence intrigues Baron Ucciani, who reigns supreme over Santa Lucia. The meeting with the baron and his young wife Maria could divert our hero from his original project: revenge ...
