Swastik Choudhury

Movies

Adieu Godard
Producer
A small Indian village: an old man is addicted to watching pornography with his friends. One fine day, he accidentally brings home a DVD with a Godard film inside it. Though his friends were disgusted, Ananda gets attracted to Godard’s film and gradually develops an obsession. He initiates the idea of hosting a film festival in their village where Godard’s films will be screened. The festival gets organized after a lot of drama, but what happens next is to be seen.
Adieu Godard
Jatin
A small Indian village: an old man is addicted to watching pornography with his friends. One fine day, he accidentally brings home a DVD with a Godard film inside it. Though his friends were disgusted, Ananda gets attracted to Godard’s film and gradually develops an obsession. He initiates the idea of hosting a film festival in their village where Godard’s films will be screened. The festival gets organized after a lot of drama, but what happens next is to be seen.
FOUR: Vol. I
Viren
A suspenseful & mysterious journey of 8 people where secrets and crimes get dirtier. FOUR is an anthology of different stories with extraordinary and unique concepts.
Runanubandha - The He Without Him
Bhola
Runanubandha, spiritually, refers to body’s memory – both genetic and memory of intimate physical connect. It is this memory which is said to bind a parent and a child, a husband and a wife or any other intimate relationships. The film explores Shatarupa’s search for her father in Kolkata. She finds the voice of her father in a young man. The paternal traits draw her towards him, but she finds herself trapped elsewhere between emotional complexities and simplicity. The film also draws a parallel with Hindu mythological tale of Lord Brahma, who was attracted to his own daughter Shatarupa
Runanubandha - The He Without Him
Producer
Runanubandha, spiritually, refers to body’s memory – both genetic and memory of intimate physical connect. It is this memory which is said to bind a parent and a child, a husband and a wife or any other intimate relationships. The film explores Shatarupa’s search for her father in Kolkata. She finds the voice of her father in a young man. The paternal traits draw her towards him, but she finds herself trapped elsewhere between emotional complexities and simplicity. The film also draws a parallel with Hindu mythological tale of Lord Brahma, who was attracted to his own daughter Shatarupa
Khyanikaa: The Lost Idea
British
The film is a fantasy driven tale of two men, a poet and a painter, claiming possession over the same Idea, in a rural village portrayed as a wonderland. Idea is personified as a beautiful young lady, free of all bondage. The two men try to justify their claim over their Idea through their forms of art. Unable to settle the conflict, the two men approach ‘Fate’, personified as a big fat man of authority, to judge their claims. They soon realize that Idea is no one’s possession and it isn’t wise to rely on ‘Fate’ for a judgement. They decide to bury their ‘Fate’, and settle the matter in peace. Idea, portrayed as a free spirit, gets impressed by a kid who resides in an alternate world of fantasy, and decides to venture into the new creative world. The real world, with all its materialistic obsessions, rigid notions and prejudices, loses the Idea forever.