Margit Bara

A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories.

This grotesque historical film is a caricature of the narrow-minded and careerist oligarchs of the 20s. A young military officer stops the young jurist from killing himself and recommends him to his commander, lieutenant-colonel Doborján as a typist.

Andras Kovacs' film, considered one of the most important Hungarian films of the 1960s, centers around four men who await trial for their involvement in the massacre of several thousand Jewish and Serbian people of Novi Sad in 1942. Each denies any responsibility, claiming that they were only following orders. The film is significant for its willingness to address the subject of Hungary's role in WWII, which was taboo at the time of the its release.

The film is put at the beginning of the century in Sárszeg, following the humiliation and collapse of a high-school teacher.

At the beginning of the thirties the sour, boring life of the Hungarian small town is enlivened by a charity action: with the lead of the beautiful wife of the attorney funds are raised for the orphans.

Based on a novel by Dezso Kosztolani, this Hungarian drama is set at the turn of the 20th century. A young, homely woman lives at home with her mother and retired father. Because of all the care the girl provides for her parents, the couple becomes detached from the world outside their home. When the girl leaves for a short visit to her uncle's home, the parents realize the extent of their separation from society and their selfish feelings toward their own daughter.

Fodor, a script-writer of promising talent finds himself in a difficult financial situation. So he comes out with an absurd idea to make a film of. The director, with several scripts having been refused, likes it.

Directed by Tamás Fejér

Merry soldiers arrive in the sleepy Transdanubian town. The cynical woman-hunter, Ferdinándy, learns to know doctor Barlay's beautiful wife at a carnival. She lives a happy married life, and the attentions of the lieutenant are all in vain.

Miskei, the popular and dynamic president of a co-op falls in love with Mari, the attractive wife of the elderly Pató. The deeply feeling woman is fed up with the service beside the haughty land holder, she is longing for tenderness and a child. The passion of Miskei is growing when he sees how crudely, humiliating Pató treats her. During a powerful summer shower, when chance brings them together in an abandoned press house, he storms on Mari confessing love. The woman refuses him bitterly. Miskei calms down and he keeps on expressing his love and high esteem with the woman by steadfast and tiny compliments. Early one morning Mari leaves her husband and sets off to the city to learn and to begin a new life.

The old, sickly Demeter Lapussa is a tyrant in the family. He forces his granddaughter, the beautiful Henriette, to marry baron Hátszegi, although the girl loves the penniless Vámhidy Szilárd. The two lovers attempt to commit suicide, then are torn away from each other.

Three people – a returned prisoner of war, his beautiful second wife, and the possessive, hunchbacked spinster who is his sister-in-law by his first marriage – are isolated in a little house under an extinct volcano, where each strives for personal happiness but is suffocated by their dependence on the others.

Hungarian film.

In the thirties, the poor living by the Romanian-Hungarian border, were forced to smuggling if they wanted to survive. Mihály, the Hungarian peasant, kills a border guard while fleeing. He is fed up with smuggling and wants to put an end to it, yet he needs money to get a job so he embarks on another turn.

Life is on in the old house of Vizváros. Kids play on the ground. The adopted son of the janitor, Matyi, is hopelessly in love with Juli. He would like to emigrate to America with her. She prefers Janó, the driver, a great womaniser.

The poetic love story depicting everyday life from a micro-psychological aspect takes place in the 1910s. Sándor, editor of the local paper, serves as a foot soldier on Sundays, but spends weekdays playing billiard and courting women. One Sunday afternoon - in soldier's uniform - he meets Vilma, the beautiful maid, whose honesty and chastity turns the adventure to love.

Dani, the few-month-old little boy born outside marriage is left by Eszter in the lap of her companion on the train. The widowed Aranka takes him willingly to her. The child is already ten years old and has a good life with Aranka. Then Géza enters their life and he does not welcome the child of someone else.

Nagy István, the formerly poor peasant boy returns to his native village as a teacher. His conviction is that the abyss between rich and poor can be diminished by good will. The rich Böröcz Horváth Klári returns his love, and also Böröcz Horváth is willing to help the poorest family, the Bakos. Bakos Jóska, who was sent to serve the tough Böröcz Horváth as a payment, dies of an infected wound and the people in the village hold the teacher liable as well. Nagy István realises, that the abyss cannot be ceased, what is more, it is impassable. He breaks up with his fiancée and stands by the side of the poor.