María Silvia Esteve

A WhatsApp audio begins, and with it, a downward spiral unfolds. The voice of a woman sinking into a health anxiety attack, quickly entangles a complex labyrinth of fears and emotions. The Spiral is a dive into a lonely ride, an hypnotic escalation towards childhood, family, and the loneliness of “home”. Does home really feel like home?

A WhatsApp audio begins, and with it, a downward spiral unfolds. The voice of a woman sinking into a health anxiety attack, quickly entangles a complex labyrinth of fears and emotions. The Spiral is a dive into a lonely ride, an hypnotic escalation towards childhood, family, and the loneliness of “home”. Does home really feel like home?

A WhatsApp audio begins, and with it, a downward spiral unfolds. The voice of a woman sinking into a health anxiety attack, quickly entangles a complex labyrinth of fears and emotions. The Spiral is a dive into a lonely ride, an hypnotic escalation towards childhood, family, and the loneliness of “home”. Does home really feel like home?

A WhatsApp audio begins, and with it, a downward spiral unfolds. The voice of a woman sinking into a health anxiety attack, quickly entangles a complex labyrinth of fears and emotions. The Spiral is a dive into a lonely ride, an hypnotic escalation towards childhood, family, and the loneliness of “home”. Does home really feel like home?

A WhatsApp audio begins, and with it, a downward spiral unfolds. The voice of a woman sinking into a health anxiety attack, quickly entangles a complex labyrinth of fears and emotions. The Spiral is a dive into a lonely ride, an hypnotic escalation towards childhood, family, and the loneliness of “home”. Does home really feel like home?

A WhatsApp audio begins, and with it, a downward spiral unfolds. The voice of a woman sinking into a health anxiety attack, quickly entangles a complex labyrinth of fears and emotions. The Spiral is a dive into a lonely ride, an hypnotic escalation towards childhood, family, and the loneliness of “home”. Does home really feel like home?

In the depths of her mind, pain takes the form of a creature. A love relationship unleashes the obscurity within, to evoke in the real world, a world of shadows.

In the depths of her mind, pain takes the form of a creature. A love relationship unleashes the obscurity within, to evoke in the real world, a world of shadows.

In the depths of her mind, pain takes the form of a creature. A love relationship unleashes the obscurity within, to evoke in the real world, a world of shadows.

In the depths of her mind, pain takes the form of a creature. A love relationship unleashes the obscurity within, to evoke in the real world, a world of shadows.

In the depths of her mind, pain takes the form of a creature. A love relationship unleashes the obscurity within, to evoke in the real world, a world of shadows.

Silvia looks dazzling in the old VHS footage of her wedding in the early 1980s—she's a beautiful woman about to embark on a promising future with a diplomat husband, and a comfortable house to live in. The home videos that follow show more highlights from her life: her first wedding anniversary, her daughters growing up, and the farewell party at the embassy. Meanwhile, the audio commentary offers a very different reality. The film's director María Silvia Esteve is the middle one of Silvia's daughters, and she and her siblings talk about their parents' gradual descent into a spiral of angry clashes, psychological problems and prescription drugs. By recounting events from their childhood, they try to get a handle on what went wrong in their family. And they wonder why their mother, with whom they had a very close relationship, never managed to improve the situation or leave their father.

Silvia looks dazzling in the old VHS footage of her wedding in the early 1980s—she's a beautiful woman about to embark on a promising future with a diplomat husband, and a comfortable house to live in. The home videos that follow show more highlights from her life: her first wedding anniversary, her daughters growing up, and the farewell party at the embassy. Meanwhile, the audio commentary offers a very different reality. The film's director María Silvia Esteve is the middle one of Silvia's daughters, and she and her siblings talk about their parents' gradual descent into a spiral of angry clashes, psychological problems and prescription drugs. By recounting events from their childhood, they try to get a handle on what went wrong in their family. And they wonder why their mother, with whom they had a very close relationship, never managed to improve the situation or leave their father.