Chung King-Fai

Two high school students from very different backgrounds participate in a musical with mentally disabled children, which eventually leads to the realisation of their dreams and aspirations.

The chief security officer at a top-secret medical facility finds himself caught in an explosive battle when a young thief and his accomplices steal a groundbreaking curative medicine. After discovering the true origins of the medicine, the officer must decide who he can trust to protect the cure from falling into the wrong hands, and prevent an all-out war from bringing the city to its knees.

Two chess masters are entangled in several murder cases related to organ transplants. A cop and criminal psychologist Calvin Che have to work together to find the missing link, whilst facing various dangers.

About to turn 50, a librarian's world is shattered when she learns that her 70-year-old father may have gotten their maid pregnant.

The story of four soon-to-be-college grads who are about to embark on the big adventure known as life. The foursome concoct an elaborate plan to hire a Japanese porn actress (or "AV Girl") for a fake film. Then they'll have sex with her. What could go wrong?

A computer engineer is kidnapped and tortured. Since then, his girlfriend senses he's no longer the same person, and becomes convinced that something supernatural is corrupting his soul. The cop assigned to the case is also determined to get to the bottom of the case. The truth is more frightening than either had anticipated.

Stephen Chow plays a selfish yet in some places kind hearted barrister who tricks his servant in doing things for his own benefit. Eric Kot playing the servant is misguided by what he thinks is love and leaves Chow vowing that he will never need Chow's help again in life. Shortly afterwards Kot gets into some big trouble (due to be executed) with the British and calls on Chow for help. Chow tries to help his client, but is fish out of water when he has to fight this court room case according to western rules.

Following Ko Chun's earlier years as he battles for the position he was destined for: The God of Gamblers.

Tsui Chik tries to lead a quiet life as a librarian. However, he is really a former test subject for a highly secretive supersoldier project and the instructor of a special commando unit dubbed "701." The 701 squad is used for many government missions, but after one of the agents kills a team of policemen in an uncontrollable rage, the government decides to abort the project and eliminate all the subjects. Tsui Chik helped the surviving 701 agents flee the extermination attempt. Having escaped, Tsui Chik went separate ways from his team. Later, he discovers that the rest of the team were responsible for a violent crime spree that was beyond the capability of the local police. He sets out to stop them, donning a disguise and using the superhero alias of "Black Mask". Having lost the ability to feel pain due to the surgery performed on the super-soldiers by the military, Black Mask is almost invulnerable.

The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.

A new Year's comedy about a romance between priest Leslie Cheung and prostitute Anita Yeun.

Traditional values and modern ideals clash when an old-fashioned father and his playboy son cannot see eye to eye in this honest look at the sometimes fragile father, son relationship

Sai Ming Jun (Anita Yuen) is a single mother who works as an office administrator. But when the company gets taken over, her road suddenly becomes an uphill one. The controlling family's son (Sean Lau Ching Wan) takes an immediate shine to her, and begins to woo her, but she resists. Things get worse when his half-brother (Frankie Lam) shows up. He happens to have a controlling interest in the company - and is the father of Ming Jun's child! Will Ming Jun be able to make it through this twisted maze of family politics and hidden agendas? And will she be able to find a true, honorable love?

Sylvia and Cora Miao play two widowed mothers, best friends and confidants who spend their days reminiscing about times past. Over the course of a lazy weekend afternoon, the two women conjure memories of Cora's husband, his life, his death, and his passionate affair with Sylvia. A series of wistful flashbacks reveal the sometimes touching, sometimes painful circumstances around the women's deep friendship with one another, and their love for the same man.

Taking place in 1941, Love in a Fallen City centers on Pai, a young woman who has been ostracized by her family for divorcing her rich husband. A local match-maker, Mrs. Hsu, takes pity on Pai and decides to bring her to Hong Kong, under the guise of employing her as the Hsu's nanny, but in reality to introduce her to Fan. Pai and Fan seem to hit it off, but Fan's refusal to marry Pai soon sours things. However, as the Japanese begin to invade Hong Kong, the two begin to realize their true feelings for each other.