Nicolas Brunner

Anna and Thomas' evening takes a surprising turn when their upstairs neighbors make them a spicy offer.

In a dystopian Switzerland that has fallen under the fascist rule of an evil cheese tyrant, Heidi lives the pure and simple life in the Swiss Alps. Grandfather Alpöhi does his best to protect Heidi, but her yearning for freedom soon gets her into trouble with the dictator’s henchmen. The innocent girl transforms herself into a kick-ass female fighting force who sets out to liberate the country from the insane cheese fascists.

With his vivid oil paintings, Albert Anker captured Swiss folk life like no other. Together with musician Endo Anaconda we discover the «Anker-House», Anker's old studio.

Lisa is moving. Upheaval all around: Her mother flirts with a handyman. An eccentric woman seems to be preparing for a glamorous event, a family next door returns from vacation, and a girl documents the adventurous day. As boxes are transported, walls painted white, and furniture is assembled, underlying problems in need of fixing are revealed, a to-do list expands, and desires and needs flair up.

Bern, 1979: a tower block called Tscharnergut. Together with a few friends (among them famous Swiss actor Stefan Kurt), director Aron Nick's father and uncle shoot the idealistic Super 8 film "Dr Tscharniblues" ("The Tscharni Blues") – a wild, unvarnished self-portrait of their generation. 40 years later, Nick gathers the friends at Tscharnergut and asks what has happened to them and their ideals in the meantime. What have the achieved? What have they lost? Past, present, and future clash and form a journey of personal disappointments, hopes, and a collective search for identity. In "Tscharniblues II," Aron Nick discovers a kind of friendship that can weather anything.

At a remote mountain lake a bound man with cemented shoes is being dragged to the water by two other men and his request for a coup de grace escalates into a clash.