Liu Chi

Hong Kong musical directed by Lo Chen.

Part two of the wartime love story

It's a powerful melodrama about a thwarted romance in 1930s Tientsin, China, during the Japanese occupation, and it stars Linda Lin Dai, one of the era's most popular stars. It was part of Golden Horse's 100 Greatest Chinese-Language Films.

The tragic love triangle of early 20th century Peking Opera star Chiu Hai-tang, his beautiful stage partner, and the warlord who forces himself between them, has been a favorite with Chinese audiences for decades.

Julie Yeh Feng stars as Hsiu Hsiu, a beautiful singing shepherdess who falls head over heels in love with a handsome boatman named Liu Ta Lung. Unfortunately, she can't afford to marry her new beau because her father has racked up numerous debts due to his uncontrollable gambling addiction. And to make matters even more complicated, there's a rival suitor who promises to pay off all of her no-good father's debts on the condition that he is given Hsiu Hsiu's hand in marriage. She initially declines his offer, but starts to get jealous when she sees Ta Lung getting a little too close for comfort with another woman. In retaliation, she starts flirting with her possible benefactor/husband-to-be. But what Hsiu Hsiu doesn't know is that her jealousy isn't based on any actual unfaithfulness, but on an unfortunate misunderstanding!

Comedy of Mismatches begins with widow Sun who single-handedly raises her son Yu Lang (Chin Feng) and daughter Zhu Yi (Li Hsiang Chun). One day, Mother Sun sends her children to the temple, where Yu Lang encounters Hui Niang (Pat Ting). Artist Xu Ya is also at the temple, praying that his daughter Wen Gu (Carrie Ku) will find a good husband. Soon after, Wen Gu encounters nobleman's son Pei Zheng (Wai Mao) and the two fall in love at first sight.

Chen Hou is a chauffeur who gets caught in a mistaken identity scandal linking him to businesswoman Lok Dai. Chen was supposed to audition for a job as her chauffeur, but a proposed musical show is far more attractive to the aspiring dancer. When a rumor gets out that the two are involved in an affair, she's angry and confronts him, but his charms overwhelm her, and it's revealed that she too desires to dance. Soon she's bankrolling the affair, the sets are being built, and the singing and dancing begin!

Fan Chia-soo is a kind-hearted student whose heart is captured by the sweet song of Shen Feng-hsien. However, he is not the only one who has eyes for Shen. The General's henchmen are also determined to present the songstress to their superior as a gift. Fan received help from an unexpected quarter to save the woman he loves.

Return Of The Phoenix is yet another masterpiece from prolific director Li Han-hsiang. An imperial minister Cheng Pu (Ching Miao) is faced with a quandary. He's getting old and his daughters are still not married. Elder daughter Shueh-yeh (Elizabeth Chuang) is so ugly no one wants her. Younger daughter Shueh-wu (Li Hsiang-chun) is beautiful but Mrs Cheng refuses to let her marry before her elder sister. The drama unfolds when Cheng decides to marry Shueh-wu off.

Seventh sister of the celestial world goes down to earth to marry Dong Yong, a young man sold to servitude. However the Jade Emperor orders her to go back to the immortal world.

Spy films had always been popular in Chinese-language cinema, with stories set mostly in WWII or the warlord era. The Tender Trap of Espionage, made two years before Dr. No (1962) which kickstarted the Bond film craze, is a story of intrigue between spies and counterspies within the Japanese Occupation force. The film was shot in Taiwan, offering unique visages, with cat-and-mouse mind games set in motion against trust, betrayal and seduction. Based on the British film The Two-Headed Spy (1958), future action maestro Chang Cheh wrote the script while husband-and-wife team Lo Wei and Lau Leung-wah star together as agents, with Lo doubling as director.

A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

Marriage Angle is a Hong Kong Mandarin-language feature film of the drama genre, written and directed by Wang Yin, produced by Shaw Brothers Studio, Liu Chi and Chow Sze-Ching were the cinematographers.