Benedek Fliegauf
Birth : 1974-08-15, Budapest, Hungary
Himself
Unprocessed is a documentary about the memory of the Roma killings of 2008-2009. The film is inspired by the theater group "Romano Teatro" and the rehearsals and performance of their play commemorating the hate crimes, titled 'The Smile of Hate'. The documentary features the play’s creators, as well as sociologists, journalists and artists who are looking for an answer on how Hungarian society can cope with such events. The film draws attention to how art can help in processing such events, and how this might be its primary task.
Producer
The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'
Writer
The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'
Director
The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'
Producer
A mother and son as grapple with the questions of life and death on an inner journey filled with strange stories.
Original Music Composer
A mother and son as grapple with the questions of life and death on an inner journey filled with strange stories.
Screenplay
A mother and son as grapple with the questions of life and death on an inner journey filled with strange stories.
Director
A mother and son as grapple with the questions of life and death on an inner journey filled with strange stories.
An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.
Writer
Drawing inspiration from the death-squad murders of several Gypsy families in Hungary in 2008, director Bence Fliegauf's chilling and unforgettable real-life horror story follows a family whose dreams of emigration and escape are suddenly, horribly destroyed.
Director
Drawing inspiration from the death-squad murders of several Gypsy families in Hungary in 2008, director Bence Fliegauf's chilling and unforgettable real-life horror story follows a family whose dreams of emigration and escape are suddenly, horribly destroyed.
Writer
Anthology film made as an act of protest against Hungarian government of Viktor Orban.
Director
Anthology film made as an act of protest against Hungarian government of Viktor Orban.
Writer
A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.
Director
A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.
Director
Interviews with 3 people who had near death experiences.
Writer
An avant-garde, psychedelic, poetic minimalism, meditative, cartoon-esque sketch of the modern world.
Director
An avant-garde, psychedelic, poetic minimalism, meditative, cartoon-esque sketch of the modern world.
Director
What happens to children whose parents forget to pick them up from school?
Writer
In an impressive follow up to his debut film Forest, Benedek Fliegauf tells the uncompromising story of a day in the life of a drug dealer. His clients include the leader of a religious sect, a friend who needs a final fix, a former lover who has had his child, a student, and a black marketeer. Fliegauf's film recreates life in a city that resembles a ghost town, an alienated world with its own priorities and realities. It is, he says '. an imaginary city with a strongly spiritualist atmosphere. This necropolis is the film's real protagonist'.
Director
In an impressive follow up to his debut film Forest, Benedek Fliegauf tells the uncompromising story of a day in the life of a drug dealer. His clients include the leader of a religious sect, a friend who needs a final fix, a former lover who has had his child, a student, and a black marketeer. Fliegauf's film recreates life in a city that resembles a ghost town, an alienated world with its own priorities and realities. It is, he says '. an imaginary city with a strongly spiritualist atmosphere. This necropolis is the film's real protagonist'.
Director
After a session of hypnosis reveals suppressed trauma, a young woman confronts memories of her past.
Writer
Every day life for young men and women in Budapest is on display. All "teenage savages" at the time when communism disappeared in Eastern Europe, they now view the world in a sinister way. Examples: A woman becomes irritated with a man who has left his dog. A father has an argument with his wife about an alarming (to the parents) arousal of sexuality in their 10 y.o. daughter. A young girl is distressed by her growing realization that she is more and more like her sadistic grandmother. A conversation between two guys, apparently about an old car, takes an unexpected turn.
Director
Every day life for young men and women in Budapest is on display. All "teenage savages" at the time when communism disappeared in Eastern Europe, they now view the world in a sinister way. Examples: A woman becomes irritated with a man who has left his dog. A father has an argument with his wife about an alarming (to the parents) arousal of sexuality in their 10 y.o. daughter. A young girl is distressed by her growing realization that she is more and more like her sadistic grandmother. A conversation between two guys, apparently about an old car, takes an unexpected turn.
Director
We all live in continuous hypnosis, and those people who awake from the dream and start to live their own lives frighten the rest of us. This film documents András Feldmár's thoughts, thoughts that make listeners very uneasy, thoughts that prompt us to search our souls. Through his thoughts we become acquainted with a man who continually searches his own soul and has a way of thinking that makes us very uneasy.
Writer
"The first completed project of my own was the short film Talking Heads... that film already contained everything I would like to deal with over the next decade." - Benedek Fliegauf
Director
"The first completed project of my own was the short film Talking Heads... that film already contained everything I would like to deal with over the next decade." - Benedek Fliegauf
Director
