Umberto Melnati

Genies help an Arabian bandit (Tab Hunter) locate a magic arrow he needs to claim heirship to the sultan's kingdom.

When young and attractive Lina Stroppiani, a thief like the rest of her family, tries to steal the taxi of Paolo, together with two accomplices, she can't possibly know that this will have far reaching consequences.

"Elena" cannot marry the man she loves, so enters into a loveless marriage with the wealthy "Andrea". Gradually she falls in love with him, but he never reciprocates. Things become further complicated when a letter from her first love "Carlo" is discovered.

Anthology of tragic love. A noblewoman falls for a commoner. A doctor keeps quiet about his patients' infidelities. Expectant father is sent to fight in WWI. A 1920s fascist enjoys Rome's nightlife. WWII airman falls for a girl in Naples.

In the movie La valigia dei sogni (The Suitcase of Dreams, Italy, 1953) directed by Luigi Comencini, some sequences from Cenere are inserted. The protagonist is a former silent film actor who has saved old movies of his time from destruction, and uses them to set up recreational performances at schools. After an accidental fire and the risk of prison, he meets a rich producer who helps him to build a film museum.

The troublesome daughter of an American millionaire accompanies him aboard his yacht on a deep sea diving expedition in the Red Sea and falls in love with the captain.

Early giallo directed by Giacomo Gentilomo.

A crime novel writer is experiencing writer's block while writing his latest book. Then a woman is murdered in his home, and this crime gives him inspiration to finish his novel. Without noticing, he even founds the real culprit.

A comedy of errors about marriage and infidelity. Vittorio De Sica's debut film.

Vittorio De Sica, heir to a large sum of money and owner of a newspaper vending stall, makes enough money out of his business to take a vacation at a fashionable resort. He is given a cruise ticket by an aristocrat who is an old school friend, and is mistaken for the aristocrat when he uses a camera that has his friends name on it. Assia Noris plays a maid who falls in love with him because of who he is and not who others think he is. Happy ending comes when De Sica marries Noris, who is more real than the pampered society belles he has been partying with.

Bebe, a handsome and rich young man, is getting engaged with Letizia, a young heir to a noble family.

La Contessa di Parma was the sole directorial contribution by Allesandro Blasetti in 1937. The first of several expensive costume dramas upon which the director established his international reputation, the film stars Elisa Cegani as Marcella, a model in the dress shop owned by enterprising Umberto Melnati. To improve his business, the owner instructs his models to dress up as society ladies and attend all the best parties. And that's how humble little Marcella comes to be mistaken for the popular Duchess of Parma -- and by extension, how our heroine wins the love of football hero Gino Vanni (Antonio Centa). A little wanting in the way of plot or logic, La Constessa di Parma is at least consistently good to look at.

Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, "II Signor Max," which, other than the setting and character role names, basically has the same plot as this film.

When his wife storms out of a dinner planned in honor of his American boss (because their dog is not allowed to be at the table) an engineer pretends that his secretary is the missus.