In Age of Blight, 12 Asian filmmakers capture and imagine life under the pandemic, from the hospital corridors of Marawi to protest rallies in the streets of Bangkok. The film mirrors light amidst the chaos and darkness, life in the face of death. Participating filmmakers are Mervine Aquino (Philippines), Bagane Fiola (Philippines), Daniel Rudi Haryanto (Indonesia), Hassanodden Hashim (Philippines), Gladys Ng (Singapore), Nontawat Numbenchapol (Thailand), Carla Pulido Ocampo (Philippines), Edmund Telmo (Philippines), Mark Lester Valle (Philippines), Ligaya Villablanca (Philippines), Takayuki Yoshida (Japan), and Abdul Zainidi (Brunei). Edited and assembled by John Torres (Philippines).
In the Philippines, the journalist Maria Ressa fights a battle for democracy against president Duterte and his 'war on drugs', which has claimed tens of thousands of lives.
The searing story of President Duterte's bloody campaign against drug dealers and addicts in the Philippines, told with unprecedented and intimate access to both sides of the war - the Manila police, and an ordinary family from the slum. Shot in the style of a thriller, this observational film combines the look and feel of a narrative feature film with a real life revelatory journalistic investigation into a campaign of killings. The film uncovers a murky world where crime, drugs and politics meet in a deathly embrace - and reveal that although the police have been publicly ordered to stop extra-judicial killings, the deaths continue.
Filmmaker Mike De Leon released this short on the eve of the 1986 EDSA Revolt anniversary. During its 5 minutes, De Leon draws a harsh critique of the Philippine president, Rodrigo Roa Duterte.
Michael Moore's provocative documentary explores the two most important questions of the Trump Era: How the fuck did we get here, and how the fuck do we get ou
Beastmode interweaves what at first sight seem to be two unconnected storylines: the first two years of rule by President Rodrigo Duterte of the Philippines, notorious for his war against drugs, and the reconstruction of a social and artistic experiment about violence and performance—a sort of Fight Club 2.0.
