Amina Megalli

Movies

Without a Whisper - Konnón:kwe
Editor
"Without a Whisper" is the untold story of how Indigenous women influenced the early suffragists in their fight for freedom and equality. Mohawk Clan Mother Louise Herne and Professor Sally Roesch Wagner shake the foundation of the established history of the women’s rights movement in the United States. They join forces on a journey to shed light on the hidden history of the influence of Haudenosaunee Women on the women’s rights movement, possibly changing this historical narrative forever.
New Homeland
Co-Editor
Canada, our friendly neighbors to the North, who welcomed 27,000 refugees (just 6,000 fewer than America) in 2017 alone, despite having a tenth of the U.S. population. Many of the refugees came from Syria and Iraq, and their journeys to safety were physically and mentally taxing. To tell the story of their experience, Academy Award®-winning director Barbara Kopple uses a unique and creative setting: summer camp. Located on a small island in the Canadian wilderness, Camp Pathfinder has given boys from Canada and the U.S. a place to belong for over a century. A few years ago, its director—saddened and disturbed by what he was seeing in the news—decided to give refugees the opportunity to attend the camp. Kopple’s film chronicles their stay, beautifully capturing the bonds of new friendship. But not all the boys are able to escape the mindset of war. Through the eyes of these youngsters, NEW HOMELAND documents the highs and lows of starting over.
Bill T. Jones: Still/Here
Assistant Sound Editor
Bill Moyers and filmmaker David Grubin give viewers a rare glimpse into dancer/choreographer Bill T. Jones’s highly acclaimed dance Still/Here. At workshops around the country, people facing life-threatening illnesses are asked to remember the highs and lows of their lives, and even imagine their own deaths. They then transform their feelings into expressive movement, which Jones incorporates into the dance performed later in the program. For this documentary, Jones demonstrates the movements of his own life story: his first encounter with white people, confusion over his sexuality, his partner Arnie Zane’s untimely death from AIDS, and Jones’s own HIV-positive status.