Producer
In Tel Aviv, Ori, an Israeli man who just failed in an attempted suicide, bumps into Anna, a French writer, at the trial of a suspected Nazi war criminal. He is shocked to recognize the love of his life, whose memory has haunted him since they fell madly in love in Turin twenty years before. But Anna maintains that they have never met. Maybe in the desert things will become clear.
Producer
An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.
Producer
Boutheyna Bouslama remembers her holidays in Syria in the summer of 1994: a boy offered her an armful of cherries. He was called Oussama. Twenty years later, his name appears in the credits of Return to Homs by Talal Derki, programmed in Istanbul. The childhood friend has become “the man with the camera”, a “media activist” documenting the demonstrations and their repression by the Assad regime, until his arrest in 2012. The filmmaker sets off in search of the man whose name features on the list of the 70,000 forced disappearances that have occurred since the beginning of the conflict.
Line Producer
Your untangled hair hides a 7 year war. Cross-look of three women engaged alongside the FLN on colonization and the Algerian war of independence. They will know the clandestine, the prison, the torture, the psychiatric hospital. It is at the twilight of their lives that they choose to testify, after decades of silence. With clarity and modesty, they tell the story of colonial Algeria, segregation, racism, anti-Semitism, prison, torture, solidarity, freedom and also the nature that invigorates, soothing landscapes, music and poetry that allow the breakaway .
Co-Producer
Under the influence of a hallucinogenic cactus, a couple of French comes to introduce, like a virus, into a Mexican landscape whose practices, codes and uses they do not know.
Producer