Cassandra Rutledge

At an institute devoted to culinary and alimentary performance, a collective finds themselves embroiled in power struggles, artistic vendettas and gastrointestinal disorders.

Directed by Sarah Clift.

When a young girl’s father is taken to hospital, a familial bond between her and her uncle is tested.

The Lazy Susan comedy short features new creations along side some of Freya Parker and Celeste Dring's best-loved characters from their stage shows.

We Do What We Can is a film that looks at one of the miracles in the journey of diaspora Africans. It follows two twenty-something newlywed immigrants who have a child when they don't have much of a place to live. The film follows the couple as they reflect on their ambitions, while striving to make a way - both for themselves and for their offspring - to be all that they see themselves to be.

Kay and Anya are two 18-year-old best friends who’ve found themselves slowly feeling more interested in the idea of exploring a new level of intimacy with one another. Anya is quiet and innocent and is captivated by the dominance and boldness of her friend Kay. These young women find themselves in the same position as many other girls their age, curious about their feelings concerning sex and desire. After returning from a riding lesson, Kay accompanies Anya to take a bath where she then proceeds to pleasure Anya. Anya experiences hesitation after sharing this stimulating interaction with her friend, yet it has left her both excited and aroused. This lesbian confession is beautiful and intimate in its illustration of young women as they embark on their journey of exploring eroticism in friendship. It shows the existence of these feelings in an attempt to accept and normalize them, despite what we learn in the majority of heteronormative coming of age stories.

When Swedish student Elin Ersson boards a flight to Istanbul, the passengers include an asylum seeker being deported to a perilous future in Afghanistan. When everyone else takes their seats, Elin takes a stand.

An amateur artist sketching in a churchyard has a series of encounters with a young woman, who we might come to believe is a ghost. In fact, the truth is stranger than that.

A group of young men try to interpret their friends art, so they can save face and show support.

Short film directed by Em Smith.