The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'
Set in 1983, behind the Iron Curtain of Eastern Europe in Budapest, the film follows Frank, the charismatic singer of a banned punk band that carries the voice of their generation against a totalitarian regime. Taken to the police psychiatric hospital in an attempt to silence him, Frank will sacrifice everything to resist.
A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.
György Fehèr’s aim was to “make a film which is similar to the last salvaged print of a long lost film”. The passions he investigates are centred on primeval fears and cravings and a sense of inescapable doom. Shot in powerful black and white with excellent central performances.
In this grim story, three murders of young girls are committed in a similar manner, and their bodies are all found in the woods. The only suspect, a young man assumed to be a paedophile, commits suicide during the investigation. A policeman becomes obsessed with solving the mystery of this serial killer and he continues to investigate even after he has been taken off the case.
The story played by civilian players is laid in a Transdanubian village, where on the initiative of the municipality doctor the local inhabitants wish to build a social welfare home as volunteers, with the support of the local co-operative and the state farm. Having first consented to the plan, the leadership of the county starts opposing the project because of the plan to build a social welfare home called the City of the Happy Aged to be established by the county. Both parties take the field for their ideas and the battle starts.
