Sukanta Majumdar

An intimate portrayal of Suvana Sudeb, a transgender person, who undergoes Gender Affirmative Surgery in order to negotiate the conflict of body and mind. This decision creates turmoil in her family, who fear societal backlash. As love remains elusive as always, Suvana realises that the surgery could not change her destiny, forcing her to reconcile with reality anew.

Somewhere in North Kolkata, OBHYESH is an unfurling of a 28 years old boy's life, through his struggle to fall asleep during a whole night. The boy seems to be terribly tired and tries hard to get some sleep but various thoughts perpetually come and go keeping him awake where rest is dreamlike and comes to him eventually at dawn.

In an empty hospital in Kolkata, India, a man faces protocols of blood, a subtly discriminatory office, and a vacant operating theater. His mind is on a loop of the last months of his wife’s life, when a quiet argument developed. When is the end of pharma-medical care, whose life is it anyway?

Through faces and bodies of real life labourers emerges an epistolary account of a daily wage owner who suddenly finds himself out of work one day. As rampant industrialisation surges, a new class is born - a crowd of nomadic migrant workers whose lives are a series of transitions in search of work. Folk tale and memory as witnesses to this rapidly changing world through their eyes.

Strange incidents occur in the heart of Shonajhuri forest in rural Bengal which develops an ominous character of its own that allures and finally engulfs the protagonists.

Amidst the daily din of the local trains in Calcutta, a lonely working woman in her late fifties finds herself falling in love with the voice of the railway announcer.

Reality is a perception and it changes with perspective. Every individual who falls victim to a fatal accident is a character in their own right, but reduced to a mere number in the media! Inspired by Akira Kurosawa’s ‘Rashomon’, ‘Testimony of a Thread’ is a monologue collage in search of a face behind the numbers of the deadliest structural failure accident in modern human history.

Reality is a perception and it changes with perspective. Every individual who falls victim to a fatal accident is a character in their own right, but reduced to a mere number in the media! Inspired by Akira Kurosawa’s ‘Rashomon’, ‘Testimony of a Thread’ is a monologue collage in search of a face behind the numbers of the deadliest structural failure accident in modern human history.

Defying his father’s wishes by following his rebellious uncle’s example, a young Bengali from an upper caste tries to help those on the lower end of the spectrum and, while he’s at it, offers to marry his brother’s pregnant mistress.

What is a name? Is it merely a word? A name of a person denotes his/her external identity. It is related to each and every social action and reaction of a person with other persons. The film deals with the plight of the protagonist whose name has changed overnight. The problem aggravates when the changed name connotes religious and cultural differences when Shymal (a Hindu name) or Salim (a Muslim name), the protagonist becomes Salim or Shyamal. The film brings into focus the crisis in his life and the pain of being ostracized and alienated by everyone that matters to him. In such a situation of loneliness, Shyamal identifies with his next-door neighbor who has also been alienated and is fighting his lonely existence.