Jonathan Darch

Summertime. In a camping, three little girls listen to an old mysterious story about a missing kid. They start to investigate.

Three Armenias are sketched out here, brilliantly and with delicacy, through four protagonists aspiring to fulfil their dream. There is the lift operator in a hospital who wants to travel into space, the farmer in search of a perfect wife, and the young queer couple who simply want to live out their love story… while awaiting the demonstrations and hopes of the revolution.

Lies are just another way of telling the truth. The desire to believe is the hand of the man hanging from a cliff and clinging to the only stone that would seem to save him. But he always ends up falling because the stone is a mirage, just as the cliff is. Death is awakening from this dream in which the essential can be said and in which the continuous and infinite has a beginning, an end and a meaning.

Lis is a teenager whose dream is to become a circus artist and leave her hometown, even if she knows that to do it she’ll have to fight her side against her parents. It’s summer and she spends her days playing with her friends and flirting with her boyfriend, a few years older than herself. The lack of privacy and the neighbours’ gossip force Lis to keep their relationship secret so that her parents won’t find out. A relationship which change her live forever.

Pure and honest, this intimate glimpse of future parenthood. Not least because protagonists Maria Rodríguez and David Verdaguer surrender themselves entirely to the process: during shooting, they really are expecting their first child. 'Els dies que vindran' captures all the beautiful and difficult moments of pregnancy.

Micaela and her mother Yurquina begin a journey in search of their grandmother Felipa, the last inhabitant of the forgotten and extraordinary landscape of Cerro Quemado. It is the poetic portrait of a world about to disappear, the meeting of three women united by an indigenous past.