Tapan Sinha
History
Indian director who made more than 40 feature films in Bengali, Hindi and Oriya in a career spanning nearly half a century. A contemporary of West Bengal's cinema icons - Satyajit Ray, Ritwik Ghatak and Mrinal Sen - Sinha was an equally powerful storyteller who, like his favourite novelist, Charles Dickens, won a large and appreciative audience by dealing with the problems that confront ordinary people.
Born in Kolkata, Sinha was the fifth child of Tridibesh and Pramila Sinha. He attended schools in Bhagalpur and Bankura. As a student at Patna University, Bihar, Sinha responded sympathetically to Mahatma Gandhi's Quit Indiamovement, launched against the British in 1942. However, when he moved to Kolkata University, where he was studying for an MSc in physics, he fell under the spell of British and American film-makers, particularly John Ford, Billy Wilder, Frank Capra and Carol Reed. He later claimed that it was Jack Conway's 1935 version of Dickens's A Tale of Two Cities that motivated him to become a film-maker.
After gaining his master's in 1946, Sinha joined the New Theatres studios, Kolkata, as a trainee sound engineer. Two years later, he moved to the Kolkata Movietone studio and, in 1950, he received an invitation to the London film festival and an opportunity to work at Pinewood studios, near London, where he took a job in the director Charles Crichton's unit as a sound engineer. While in London, he was exposed to the works of Italian directors Federico Fellini, Vittorio De Sica and Roberto Rossellini. On returning to India, Sinha made his first film, Ankush (The Goad, 1954), which featured an elephant belonging to a zamindar (tax collector) as the central character. His final film was released in 2001.
Sinha, whom many critics regarded as India's David Lean, was honoured at international festivals in Berlin, Venice, London, Moscow and San Francisco and had received the Dadasaheb Phalke award, the highest cinema honour from the Indian government in 2008.
Screenstory
Nawren, Nawgen and Nobin, three friends enjoying their retirement, decide to end the monotony in their lives and earn some extra money by setting up a tea stall.
Screenplay
Nawren, Nawgen and Nobin, three friends enjoying their retirement, decide to end the monotony in their lives and earn some extra money by setting up a tea stall.
Story
Nawren, Nawgen and Nobin, three friends enjoying their retirement, decide to end the monotony in their lives and earn some extra money by setting up a tea stall.
Music
Nawren, Nawgen and Nobin, three friends enjoying their retirement, decide to end the monotony in their lives and earn some extra money by setting up a tea stall.
Music
This film is based on five shot stories of Rabindranath Tagore's Jibito O Mrito, Sarat Chandra Chattopadhyay's Abhagir Swarga, Gour Kishore Ghosh's Aei Daha, Prafulla Roy's Satgharia and Dibyendu Palit's Kaanch.
Director
This film is based on five shot stories of Rabindranath Tagore's Jibito O Mrito, Sarat Chandra Chattopadhyay's Abhagir Swarga, Gour Kishore Ghosh's Aei Daha, Prafulla Roy's Satgharia and Dibyendu Palit's Kaanch.
Director
Set in the imaginary village of Ajab Gaon (Strange Village) , the story revolves around several characters. Raja Birchandra, is a king without a kingdom who whiles away his time singing songs by Tagore. Dukkharam is a school teacher who lives in a house haunted by an ancestor; Madhab Ghosal is a devotee of Lord Shiva who wants to analyse everything; Madhab Dutta claims to be a great shikari; Tia, Dutta's innocent niece, has resolved to marry the school teacher. Underlying the strands of all of these stories, is the legend of a treasure hidden in the Raja's palace. Birchandra is least concerned about this but there are certain other characters who are out to steal it.
Director
Sushmita is paralysed below her neck while escaping a rape attempt. She is admitted to a private nursing home for neurological handicapped patients run by Dr. Mitra, himself a paraplegic. Here she meets a wide variety of patients. Her case is handled by a young physiotherapist Santu, who works hard and soon she can move her fingers. During the process. Santu and Sushmita fall in love but she won't hear of marriage till Santu tells her that they can live a normal married life and have children. Santu very dramatically convinces her that she can even work in an office.
Archival footage
A Documentary on Tapan Sinha
Director
A story of a fisherman family, which was maintained by the resources from the river.
Screenplay
After years of painstaking research at the cost of his domestic pleasure, Dr. Dipankar Roy discovers a vaccine for leprosy. The news is flashed over television and overnight, an insignificant junior doctor receives international recognition. Professional jealousy and abuse of power threaten Dr. Roy, even as the Secretary of Health reprimands him for breaking the news to the press. He is asked to report to the Director of Health. Professional colleagues Dr. Arijit Sen and Dr. Ramananda invite him to a lecture but it is merely a pretence to humiliate him. Dr. Roy suffers a mild heart attack but he refuses to go to the hospital. His wife and few others like Dr. Kundu stand by Dr. Roy, but the harassment continues; a letter from an American foundation is suppressed and Dr. Roy transferred to a remote village. The last straw is two American doctors receiving credit for discovering the same vaccine. Dr. Roy is shattered. Written by Rajesh Das.
Director
After years of painstaking research at the cost of his domestic pleasure, Dr. Dipankar Roy discovers a vaccine for leprosy. The news is flashed over television and overnight, an insignificant junior doctor receives international recognition. Professional jealousy and abuse of power threaten Dr. Roy, even as the Secretary of Health reprimands him for breaking the news to the press. He is asked to report to the Director of Health. Professional colleagues Dr. Arijit Sen and Dr. Ramananda invite him to a lecture but it is merely a pretence to humiliate him. Dr. Roy suffers a mild heart attack but he refuses to go to the hospital. His wife and few others like Dr. Kundu stand by Dr. Roy, but the harassment continues; a letter from an American foundation is suppressed and Dr. Roy transferred to a remote village. The last straw is two American doctors receiving credit for discovering the same vaccine. Dr. Roy is shattered. Written by Rajesh Das.
Director
A telefilm.
Music
Drama set during the British rule in India has Jatin Chatterjee, a young revolutionary on the run from authorities, take refuge in the home of Shyam Jadhav, who hires Jatin to teach his sons, Ram, Ramdas, and Ramdulaare. What happens when Jatin instructs his students about the legendary bandit Robin Hood?
Producer
Drama set during the British rule in India has Jatin Chatterjee, a young revolutionary on the run from authorities, take refuge in the home of Shyam Jadhav, who hires Jatin to teach his sons, Ram, Ramdas, and Ramdulaare. What happens when Jatin instructs his students about the legendary bandit Robin Hood?
Writer
Drama set during the British rule in India has Jatin Chatterjee, a young revolutionary on the run from authorities, take refuge in the home of Shyam Jadhav, who hires Jatin to teach his sons, Ram, Ramdas, and Ramdulaare. What happens when Jatin instructs his students about the legendary bandit Robin Hood?
Director
Drama set during the British rule in India has Jatin Chatterjee, a young revolutionary on the run from authorities, take refuge in the home of Shyam Jadhav, who hires Jatin to teach his sons, Ram, Ramdas, and Ramdulaare. What happens when Jatin instructs his students about the legendary bandit Robin Hood?
Music
A teacher witnesses a murder committed by his ex-student, who restricts him from giving his statement to the police. An atmosphere of terror ensues and the teacher must decide if to muster courage and approach the police at a personal loss.
Dialogue
A teacher witnesses a murder committed by his ex-student, who restricts him from giving his statement to the police. An atmosphere of terror ensues and the teacher must decide if to muster courage and approach the police at a personal loss.
Screenplay
A teacher witnesses a murder committed by his ex-student, who restricts him from giving his statement to the police. An atmosphere of terror ensues and the teacher must decide if to muster courage and approach the police at a personal loss.
Writer
A teacher witnesses a murder committed by his ex-student, who restricts him from giving his statement to the police. An atmosphere of terror ensues and the teacher must decide if to muster courage and approach the police at a personal loss.
Director
A teacher witnesses a murder committed by his ex-student, who restricts him from giving his statement to the police. An atmosphere of terror ensues and the teacher must decide if to muster courage and approach the police at a personal loss.
Director
Director
A 1984 Hindi-language telefilm directed by Tapan Sinha.
Director
A young woman's struggle for justice after she is raped by rich boys.
Music
The story of an old peasant,Bancharam (Mitra),who defeats the tyrannical landlord Chhakari (Dey).Inheriting a dry patch of land, Bancharam converts it into a fabulous garden.The British magistrate supports him when Chhakari attempts to acquire the garden, after which he dies. Chhakari's son Nakari tries a new stratagem: he promises Bancharam Rs 400 every month provided Bancharam bequeaths his garden to the landowner after his death. Bancharam agrees but amazingly becomes healthier with every passing day, repeatedly promising to die but failing to do so.
Screenplay
The story of an old peasant,Bancharam (Mitra),who defeats the tyrannical landlord Chhakari (Dey).Inheriting a dry patch of land, Bancharam converts it into a fabulous garden.The British magistrate supports him when Chhakari attempts to acquire the garden, after which he dies. Chhakari's son Nakari tries a new stratagem: he promises Bancharam Rs 400 every month provided Bancharam bequeaths his garden to the landowner after his death. Bancharam agrees but amazingly becomes healthier with every passing day, repeatedly promising to die but failing to do so.
Director
The story of an old peasant,Bancharam (Mitra),who defeats the tyrannical landlord Chhakari (Dey).Inheriting a dry patch of land, Bancharam converts it into a fabulous garden.The British magistrate supports him when Chhakari attempts to acquire the garden, after which he dies. Chhakari's son Nakari tries a new stratagem: he promises Bancharam Rs 400 every month provided Bancharam bequeaths his garden to the landowner after his death. Bancharam agrees but amazingly becomes healthier with every passing day, repeatedly promising to die but failing to do so.
Writer
This movie is based on a novel of same name written by Sunil Gangapaddhaya. A retired government employee, Raja Roy Chowdhury, known as Kakababu, is the main character of this movie. In this movie, he and his nephew, Santu, are in Andaman Island for solving a mystery.
Music
This movie is based on a novel of same name written by Sunil Gangapaddhaya. A retired government employee, Raja Roy Chowdhury, known as Kakababu, is the main character of this movie. In this movie, he and his nephew, Santu, are in Andaman Island for solving a mystery.
Director
This movie is based on a novel of same name written by Sunil Gangapaddhaya. A retired government employee, Raja Roy Chowdhury, known as Kakababu, is the main character of this movie. In this movie, he and his nephew, Santu, are in Andaman Island for solving a mystery.
Music
A scientist accidentally finds a drug that can reveal an individual's past. However, when a few politicians fear their exposure, they plot to kill him.
Screenplay
A scientist accidentally finds a drug that can reveal an individual's past. However, when a few politicians fear their exposure, they plot to kill him.
Director
A scientist accidentally finds a drug that can reveal an individual's past. However, when a few politicians fear their exposure, they plot to kill him.
Director
Unsuccessful film-maker (Vijay Arora) chronicles the story of two orphaned children, Shibu (Ashwani), and his elder sister, Rani (Gayetri Sharma), who live with their abusive maternal uncle (Sadhu Meher), and aunt (Mala Jaggi). Things take a turn for the better when Shibu befriends an albino elephant in the nearby forest, and through this elephant, named Airawat, finds a pot full of gold coins. Unfortunately, the uncle and his wife come to know of this, and inform the Emperor (Shatrughan Sinha), who undertakes to capture the elephant at any cost, leaving the uncle and aunt to keep the gold coins for themselves.
Music
A child princess gets a harmonium from her father. Through fate and manager she is orphan, then widow and penniless. The harmonium, sold, changed hand and bringing ill-luck wherever it went. Will they ever meet? Under what circumstances?
Story
A child princess gets a harmonium from her father. Through fate and manager she is orphan, then widow and penniless. The harmonium, sold, changed hand and bringing ill-luck wherever it went. Will they ever meet? Under what circumstances?
Director
A child princess gets a harmonium from her father. Through fate and manager she is orphan, then widow and penniless. The harmonium, sold, changed hand and bringing ill-luck wherever it went. Will they ever meet? Under what circumstances?
Screenplay
Sagina a factory laborer,an aggressive, honest and lovable character who was the first to fight against the tyranny of the British bosses in the Tea gardens of North-Eastern India.
Director
Sagina a factory laborer,an aggressive, honest and lovable character who was the first to fight against the tyranny of the British bosses in the Tea gardens of North-Eastern India.
Director
Shortly after her marriage a young woman who has always had trouble with her eyesight goes completely blind.
Writer
Squabbling Sharma family has a dubious reputation of not having any cook last there for more than a few months. Word spreads out about this family to such an extent that no person wants to be employed as a cook in this household, ironically named Shanti Nivas. Then one day a young man named Raghu offers to work as a cook, and he is hired. Raghu quickly gets a grip on his job and on each of the family members, and soon the squabbles and arguments come to an end. And then the Sharmas find the family jewels and Raghu missing
Director
This movie revolves around a village hospital that was built by a generous hearted man, Choudhury Ramprasad (Ashok Kumar) who is also a patient in the hospital. The other patients include Isamil (Iftekhar), Dayaram (Anwar Hussain), Ratan (Jalal Agha), and the doctor is Dr. Sunil (Sunil Dutt). Amongst the patient is a singer (Deb Mukherji), who loves Shyama (Farida Jalal) a worker in the hospital. When Meeta Sharma (Waheeda Rehman) comes to the hospital to admit her son, she meets Sunil and their romance is rekindled. In the background of the hospital atmosphere is an election in the village, which is proceeding smoothly, but causing a disturbance is Ramprasad's son (Ramesh Deo). Other supporting caste include Jagirdar, Chand Usmani, and Jankidas.
Director
After instigating a strike over the improper dismissal of a fellow worker, Sagina Mahato unwittingly finds himself lauded as a champion of worker's rights.
Director
Ekhonee depicts the lives and frustrations of a bunch of youth struggling to cope with the adversities of a bureaucratic society. There's a bunch of college students Arun, Tiklu, Shambhu, Biman, Sujit, Urmi whose lives undergo a change after the carefree days of college are over.
Music
Set against the backdrop of the political violence that rocked India, and West Bengal in particular, in the late 1960s, it tells the story of an aged widow in a village who goes to Calcutta to stay with relatives, but faces only exploitation. She moves to a slum, and finds her "own people" in a group of educated, unemployed youth, who are caught up inexorably in the prevalent violence.
Director
Set against the backdrop of the political violence that rocked India, and West Bengal in particular, in the late 1960s, it tells the story of an aged widow in a village who goes to Calcutta to stay with relatives, but faces only exploitation. She moves to a slum, and finds her "own people" in a group of educated, unemployed youth, who are caught up inexorably in the prevalent violence.
Screenplay
The story of Dr. Mukherjee, a highly respected civil surgeon in a small tribal district headquarters. He is the beloved of the local people, and often comes in conflict with Laxman Lal, the tyrannical son of a local aristocrat. Laxman Lal lusts after a local widow who, in order to escape his advances seeks shelter with Dr. Mukherjee. As Dr. Mukherjee treats the poor he becomes even more entwined with their lives and their little problems. To the tribals he is a godlike figure, but to Laxman Lal he is an enemy.
Music
The story of Dr. Mukherjee, a highly respected civil surgeon in a small tribal district headquarters. He is the beloved of the local people, and often comes in conflict with Laxman Lal, the tyrannical son of a local aristocrat. Laxman Lal lusts after a local widow who, in order to escape his advances seeks shelter with Dr. Mukherjee. As Dr. Mukherjee treats the poor he becomes even more entwined with their lives and their little problems. To the tribals he is a godlike figure, but to Laxman Lal he is an enemy.
Director
The story of Dr. Mukherjee, a highly respected civil surgeon in a small tribal district headquarters. He is the beloved of the local people, and often comes in conflict with Laxman Lal, the tyrannical son of a local aristocrat. Laxman Lal lusts after a local widow who, in order to escape his advances seeks shelter with Dr. Mukherjee. As Dr. Mukherjee treats the poor he becomes even more entwined with their lives and their little problems. To the tribals he is a godlike figure, but to Laxman Lal he is an enemy.
Music
In a family where relations have deteriorated to the worst level, even affecting professional lives, an outsider tries to rebuild the lost love and compassion.
Story
In a family where relations have deteriorated to the worst level, even affecting professional lives, an outsider tries to rebuild the lost love and compassion.
Writer
In a family where relations have deteriorated to the worst level, even affecting professional lives, an outsider tries to rebuild the lost love and compassion.
Director
In a family where relations have deteriorated to the worst level, even affecting professional lives, an outsider tries to rebuild the lost love and compassion.
Director
Arohi is 1965 movie by Tapan Sinha
Music
This is the story of the wanderlust in a teenage boy, Tarapada, who often ran away from his home for days to join groups of wandering players, musicians and acrobats. Based on a story by Rabindranath Tagore.
Director
This is the story of the wanderlust in a teenage boy, Tarapada, who often ran away from his home for days to join groups of wandering players, musicians and acrobats. Based on a story by Rabindranath Tagore.
Screenplay
Madhuri cannot bear a child yet her husband Shatadal is fond of children. They decide to part ways but years later when they meet in a railway station they realize their fondness for each other hasn't died.
Director
Madhuri cannot bear a child yet her husband Shatadal is fond of children. They decide to part ways but years later when they meet in a railway station they realize their fondness for each other hasn't died.
Adaptation
A writer meets five widows on a train to Puri. As the six lives begin to intertwine, the theme of the taboos of widowhood emerge; but so, too, does a philosophy of life and hope for the future. The performers collectively won Best Actress at India's National Film Awards in 1964.
Director
A writer meets five widows on a train to Puri. As the six lives begin to intertwine, the theme of the taboos of widowhood emerge; but so, too, does a philosophy of life and hope for the future. The performers collectively won Best Actress at India's National Film Awards in 1964.
Director
Film starring Kali Bannerjee, Ranjana Bannerjee and Robin Bannerjee
Director
A film by Tapan Sinha in 1962.
Director
Gauri Shankar Roy looks much like the king of Jhind. When the actual king, Shakar Singh, goes missing, a person from the kingdom approaches Gauri to pretend to be the king.
Screenplay
A tax collector posted to a small town puts up at a mansion feared by the locals because it is haunted. As time passes he grows more consumed by the mansion and its air of romance, and the spirits that haunt it, especially a beautiful woman. Adapted from a Rabindranath Tagore story.
Director
A tax collector posted to a small town puts up at a mansion feared by the locals because it is haunted. As time passes he grows more consumed by the mansion and its air of romance, and the spirits that haunt it, especially a beautiful woman. Adapted from a Rabindranath Tagore story.
Director
The struggles of a doctor in rural India.
Director
Based on a story of the Bengali writer Jorasandho, this film takes a sympathetic view of hardened criminals, and was notable in its time for its unsentimental and realistic depiction of the daily grind behind bars and the complex relationships that develop between the inmates.
Director
A Tapan Sinha film.
Director
Rahmat, a middle-aged fruit seller from Afghanistan, comes to Calcutta to hawk his merchandise and befriends a small Bengali girl called Mini who reminds him of his own daughter back in Afghanistan. One day Rehmat receives news of his daughter’s illness and decides to return to Afghanistan. But before he goes a violent fight with a customer leads to Rehmat killing him. He gets out of prison ten years later. Based on a Rabindranath Tagore story.
Director
Krishna, the daughter of a penny-pincher, falls for their tenant, Sunil. However, when Sunil leaves to forge a career, her insensitive father fixes her marriage with someone else for money.
Director
A 1954 film by Tapan Sinha
Director
Incomplete Tapan Sinha Film